Sunday, September 30, 2007
What is the secret to band longevity?
The Grand Rapids Press - MLive.com, MI
September 30, 2007
Some rock bands have a tough time staying together for more than two rehearsals and their first bar gig, let alone years of near-wedded, equipment-hauling bliss.
So, how does an outfit such as Aerosmith stick it out for a mind-numbing 37 years? Boundless patience? Countless cases of beer? Senility?
Aerosmith's Joe Perry insists members have always made the rock group their top priority, whether young and wild or old and mild.
"It's one thing to be around guys when you're 20 years old. And then you grow up to be men and your tastes diverge," he told me a few years ago. "But I have to say we've always been fans of the music first, and we just have this unique feeling about keeping the band together."
Fair enough. But over the years I've heard other intriguing explanations for the longevity of established groups.......
(Article continued here)
September 30, 2007
Some rock bands have a tough time staying together for more than two rehearsals and their first bar gig, let alone years of near-wedded, equipment-hauling bliss.
So, how does an outfit such as Aerosmith stick it out for a mind-numbing 37 years? Boundless patience? Countless cases of beer? Senility?
Aerosmith's Joe Perry insists members have always made the rock group their top priority, whether young and wild or old and mild.
"It's one thing to be around guys when you're 20 years old. And then you grow up to be men and your tastes diverge," he told me a few years ago. "But I have to say we've always been fans of the music first, and we just have this unique feeling about keeping the band together."
Fair enough. But over the years I've heard other intriguing explanations for the longevity of established groups.......
(Article continued here)
Red Wing Motorcycle Company
RedWingMotorcycles.com
September 30, 2007
Steven's Blog
At Loudon
"Are you kidding me? Did you see the photos from Loudon? It was so great to finally let the world see these bikes and great to hear the good words from all the people around there. I am so proud of the hard work that Mark, Stephen and all those cats at AC put in. They deserve a lot of the credit for these motorcycles. We had a good time at Loudon, dinner with Tony Stewart and Clint Bowyer the night before the race. Yeah, I told Tony that Clint was gonna win. Damn if I didn’t get that right. Okay, we’re off to do a handful of shows, including a couple in Hawaii, where I’ll also get in a little parasailing. What’s the insurance rate for bands these days?!?! Ha."
Rides
"Around the globe. Around the GLOBE! Seeing the world. I can’t get over that. The world. Imagine standing on a stage in the middle of Dubai looking over and seeing Joe, Brad and Tom, turning around and seeing Joey. We grooved so ridiculously so… What a year. Then the Red Wing launch. Shit, it just can’t get any better. Okay, like I said, we’re heading off … Back in the saddle, again … when I’m back home we’re all – Mark, Stephen and a couple of the fellas – going for a ride. New England on a bike. Come on, the colors? Are you kidding? Just the best. It’s a gift."
September 30, 2007
Steven's Blog
At Loudon
"Are you kidding me? Did you see the photos from Loudon? It was so great to finally let the world see these bikes and great to hear the good words from all the people around there. I am so proud of the hard work that Mark, Stephen and all those cats at AC put in. They deserve a lot of the credit for these motorcycles. We had a good time at Loudon, dinner with Tony Stewart and Clint Bowyer the night before the race. Yeah, I told Tony that Clint was gonna win. Damn if I didn’t get that right. Okay, we’re off to do a handful of shows, including a couple in Hawaii, where I’ll also get in a little parasailing. What’s the insurance rate for bands these days?!?! Ha."
Rides
"Around the globe. Around the GLOBE! Seeing the world. I can’t get over that. The world. Imagine standing on a stage in the middle of Dubai looking over and seeing Joe, Brad and Tom, turning around and seeing Joey. We grooved so ridiculously so… What a year. Then the Red Wing launch. Shit, it just can’t get any better. Okay, like I said, we’re heading off … Back in the saddle, again … when I’m back home we’re all – Mark, Stephen and a couple of the fellas – going for a ride. New England on a bike. Come on, the colors? Are you kidding? Just the best. It’s a gift."
Saturday, September 29, 2007
University rents campus to auto dealer
KPUA, HI
HONOLULU (AP) _ The University of Hawaii is getting $500,000 to turn over part of its campus to auto dealers this weekend, including a private concert by Aerosmith.
The school is renting its 10,000-seat indoor Stan Sheriff Center and its stadium and football practice field for part of Toyota USA's 50th anniversary convention. The event also will include food tents and private displays of Toyota's 2008 models.
School officials say the rental income will go to the University Athletic Department.
The university is taking steps to keep students from entering the lower campus area to catch the sound of the private Aerosmith concert. The band canceled a tour-ending concert on Maui this week because it couldn't get its equipment to Hawaii in time from a rescheduled Chicago concert.
Toyota says its convention is bringing more than 6,000 auto dealers and other Toyota employees from around the country.
HONOLULU (AP) _ The University of Hawaii is getting $500,000 to turn over part of its campus to auto dealers this weekend, including a private concert by Aerosmith.
The school is renting its 10,000-seat indoor Stan Sheriff Center and its stadium and football practice field for part of Toyota USA's 50th anniversary convention. The event also will include food tents and private displays of Toyota's 2008 models.
School officials say the rental income will go to the University Athletic Department.
The university is taking steps to keep students from entering the lower campus area to catch the sound of the private Aerosmith concert. The band canceled a tour-ending concert on Maui this week because it couldn't get its equipment to Hawaii in time from a rescheduled Chicago concert.
Toyota says its convention is bringing more than 6,000 auto dealers and other Toyota employees from around the country.
Friday, September 28, 2007
Steven Tyler and Toby Keith Perform for CMT Giants: Hank Williams, Jr
Aero Force One
September 27, 2007
Toby Keith And Steven Tyler Added To The Performance Line-Up For CMT Giants: Hank Williams, Jr
Taping October 25th in Los Angeles; Tickets On Sale Now
NASHVILLE – Toby Keith and Aerosmith’s Steven Tyler have been added to the all-star lineup for CMT Giants: Hank Williams, Jr which honors the extraordinary life and music of the legendary Hank Williams Jr. The two-hour special, CMT Giants: Hank Williams, Jr, will be taped before a live audience on Thursday, October 25th at the Gibson Amphitheatre in Los Angeles and tickets are on sale now. The previously announced line-up includes performances by superstars Tim McGraw, Brad Paisley, Kid Rock, Gretchen Wilson, Lynyrd Skynyrd and Buddy Guy, with more soon to be announced. Jimmy Kimmel and Terry Bradshaw are slated to present. CMT Giants: Hank Williams, Jr will premiere on CMT on Saturday, November 17th at 9:00 p.m., ET/PT.
The CMT Giants franchise began last year when Reba McEntire was honored for her stellar career by such stars as Faith Hill, Trisha Yearwood, Kelly Clarkson, Martina McBride, Jennifer Nettles, LeAnn Rimes, Megan Mullally, Wynonna and Dolly Parton, each of whom paid tribute to Reba by lending their voices to her biggest hits.
CMT Giants is produced by Tom Forrest and Tailight TV. John Hamlin and Margaret Comeaux serve as executive producers for CMT.
Visit CMT's press-only web site www.cmtpress.com for more information and downloadable photos on all of CMT's programming.
September 27, 2007
Toby Keith And Steven Tyler Added To The Performance Line-Up For CMT Giants: Hank Williams, Jr
Taping October 25th in Los Angeles; Tickets On Sale Now
NASHVILLE – Toby Keith and Aerosmith’s Steven Tyler have been added to the all-star lineup for CMT Giants: Hank Williams, Jr which honors the extraordinary life and music of the legendary Hank Williams Jr. The two-hour special, CMT Giants: Hank Williams, Jr, will be taped before a live audience on Thursday, October 25th at the Gibson Amphitheatre in Los Angeles and tickets are on sale now. The previously announced line-up includes performances by superstars Tim McGraw, Brad Paisley, Kid Rock, Gretchen Wilson, Lynyrd Skynyrd and Buddy Guy, with more soon to be announced. Jimmy Kimmel and Terry Bradshaw are slated to present. CMT Giants: Hank Williams, Jr will premiere on CMT on Saturday, November 17th at 9:00 p.m., ET/PT.
The CMT Giants franchise began last year when Reba McEntire was honored for her stellar career by such stars as Faith Hill, Trisha Yearwood, Kelly Clarkson, Martina McBride, Jennifer Nettles, LeAnn Rimes, Megan Mullally, Wynonna and Dolly Parton, each of whom paid tribute to Reba by lending their voices to her biggest hits.
CMT Giants is produced by Tom Forrest and Tailight TV. John Hamlin and Margaret Comeaux serve as executive producers for CMT.
Visit CMT's press-only web site www.cmtpress.com for more information and downloadable photos on all of CMT's programming.
Thursday, September 27, 2007
Aerosmith Proves They Can Still Rock
Excalibur Online, Canada
September 26, 2007
Though he has toured since the ‘70s, Steven Tyler still has the ‘it’ factor
There is one question that has plagued mankind for decades. It has been asked to thousands at once. It has been asked by some of the greatest thinkers of our time: “Are you ready to rock?”
If you were at the Aerosmith concert on Sept. 18 at the Molson Amphitheatre, the answer was a resounding “Yes” and more importantly, “…still.”
After almost 40 years, Aerosmith clearly has what it takes to blow the doors off a stadium, and from the time they exploded onstage with ‘Love in an Elevator’ to their incredible finale, ‘Walk this Way,’ Steven Tyler and the boys had the packed venue on their feet like it was 1976 all over again.
Speaking of Tyler, the man can move. At the age of 59, he had stage presence and then some. There is a reason why the name Steven Tyler is synonymous with rock ‘n’ roll: when he addresses the audience, the audience listens. He is the quintessential front man and an incredible singer. Just listening to Aerosmith’s albums does not give an accurate portrayal of Tyler’s vocal ability. He was hitting notes that I had not dreamed possible, and after a 30-year career of well-publicized drug use and excessive living, that is quite a feat.
On the other hand, lead guitarist Joe Perry was pretty stagnant for the duration of the show. I don’t even think he took a step the whole time, but the movement of his fingers more than made up for it. Perry provided some of the most insane guitar playing I had seen in a long time, from bluesy riffs to jazzy solos and some crazy combinations of the two. Perennial Aerosmith favourite ‘Sweet Emotion’ was played with such passion that it was as if every member of the audience was being played to individually.
The rest of the band, filled out by Tom Hamilton (bass), Brad Whitford (guitar) and Joey Kramer (drums), helped Tyler and Perry play nearly three hours of high voltage, straight-up rock the likes of which, being so young, I never thought I would get to see.
With the recent surge of classic bands like Van Halen and The Police touring again, the question of whether they can still play like they used to arises. However, after last week’s show, I can safely say that as long as Aerosmith puts on a show that good, whenever Tyler asks that oh-so familiar question, “Are you ready to rock?,” my answer will be, “Of course.”
September 26, 2007
Though he has toured since the ‘70s, Steven Tyler still has the ‘it’ factor
There is one question that has plagued mankind for decades. It has been asked to thousands at once. It has been asked by some of the greatest thinkers of our time: “Are you ready to rock?”
If you were at the Aerosmith concert on Sept. 18 at the Molson Amphitheatre, the answer was a resounding “Yes” and more importantly, “…still.”
After almost 40 years, Aerosmith clearly has what it takes to blow the doors off a stadium, and from the time they exploded onstage with ‘Love in an Elevator’ to their incredible finale, ‘Walk this Way,’ Steven Tyler and the boys had the packed venue on their feet like it was 1976 all over again.
Speaking of Tyler, the man can move. At the age of 59, he had stage presence and then some. There is a reason why the name Steven Tyler is synonymous with rock ‘n’ roll: when he addresses the audience, the audience listens. He is the quintessential front man and an incredible singer. Just listening to Aerosmith’s albums does not give an accurate portrayal of Tyler’s vocal ability. He was hitting notes that I had not dreamed possible, and after a 30-year career of well-publicized drug use and excessive living, that is quite a feat.
On the other hand, lead guitarist Joe Perry was pretty stagnant for the duration of the show. I don’t even think he took a step the whole time, but the movement of his fingers more than made up for it. Perry provided some of the most insane guitar playing I had seen in a long time, from bluesy riffs to jazzy solos and some crazy combinations of the two. Perennial Aerosmith favourite ‘Sweet Emotion’ was played with such passion that it was as if every member of the audience was being played to individually.
The rest of the band, filled out by Tom Hamilton (bass), Brad Whitford (guitar) and Joey Kramer (drums), helped Tyler and Perry play nearly three hours of high voltage, straight-up rock the likes of which, being so young, I never thought I would get to see.
With the recent surge of classic bands like Van Halen and The Police touring again, the question of whether they can still play like they used to arises. However, after last week’s show, I can safely say that as long as Aerosmith puts on a show that good, whenever Tyler asks that oh-so familiar question, “Are you ready to rock?,” my answer will be, “Of course.”
Wednesday, September 26, 2007
Aerosmith, Tyler fill arena with energy, song
Chicago Daily Southtown, IL
September 25, 2007
Aerosmith frontman Steven Tyler hit the highest of high notes and worked every inch of the stage as he led the bad boys from Boston through a two-hour set steeped in blues and heavy on ’70s cuts at the Allstate Arena.
(AP file photo)
Aerosmith is back in the saddle again.
After postponing its Chicago-area concert, the iconic quintet rocked for a ready crowd Monday night at Allstate Arena in Rosemont, two weeks after canceling its appearance just hours before showtime "due to illness." Days later, the Boston Globe reported Steven Tyler was "a bit hoarse" in concert. Here, though, Tyler hit the highest of high notes and worked every inch of the stage as he led the bad boys from Boston through a two-hour set steeped in blues and heavy on '70s cuts.
For its final concert in the continental United States this year, Aerosmith used the same layout and similar set list as last October at the First Midwest Bank Amphitheatre in Tinley Park. A promenade stage stretched deep into the main floor and a video screen spanned the entire main stage. But this time bass player Tom Hamilton was back after being treated for throat cancer last year.
Fans in the good seats seemed so orderly as Tyler strutted along the catwalk in skin-tight pants, a shiny purple jacket and white cowboy hat as he sung the opener of "Love in an Elevator."
Nor did they rush the stage or paw at guitarist Joe Perry, who later stripped down to jeans and boots and beat his axe with a silk shirt full of silver confetti at the end of the promenade.
Perry and Tyler slowed it down with a sit-down jam featuring "Seasons of Wither" without the awesome fake snowstorm provided in Tinley Park in '06.
Mostly, though, Perry stuck close to guitarist Brad Whitford and Hamilton, all huddled by Joey Kramer's drums, and let Tyler rule the roost as he does so well.
Tyler, 59, has the energy of a punk kid pumped up on Red Bull. Perry, 57, is the epitome of cool. Kramer, 57, is one solid-built dude. Whitford and Hamilton, though, look older than 55.
Tyler smugly pulled a harmonica out of the front of his pants during "Cryin'," alternated between harp and primal screams during "Baby Please Don't Go," and only relied on the teleprompter for straddling purposes.
The crowd seemed bored during "Pink," and who could blame them when there are dozens of better songs? But Tyler rebuilt the momentum with an a cappella intro to "What It Takes."
Aerosmith, who plan to start recording in November, thankfully played plenty of material from its early days, including "Last Child," "S.O.S. (Too Bad)," "Walkin' the Dog," "Rats in the Cellar" and "Draw the Line," and closing with the usual "Walk This Way."
Seeing Aerosmith perform "Dream On" and "Sweet Emotion" should be on everyone's list of things to do.
September 25, 2007
Aerosmith frontman Steven Tyler hit the highest of high notes and worked every inch of the stage as he led the bad boys from Boston through a two-hour set steeped in blues and heavy on ’70s cuts at the Allstate Arena.
(AP file photo)
Aerosmith is back in the saddle again.
After postponing its Chicago-area concert, the iconic quintet rocked for a ready crowd Monday night at Allstate Arena in Rosemont, two weeks after canceling its appearance just hours before showtime "due to illness." Days later, the Boston Globe reported Steven Tyler was "a bit hoarse" in concert. Here, though, Tyler hit the highest of high notes and worked every inch of the stage as he led the bad boys from Boston through a two-hour set steeped in blues and heavy on '70s cuts.
For its final concert in the continental United States this year, Aerosmith used the same layout and similar set list as last October at the First Midwest Bank Amphitheatre in Tinley Park. A promenade stage stretched deep into the main floor and a video screen spanned the entire main stage. But this time bass player Tom Hamilton was back after being treated for throat cancer last year.
Fans in the good seats seemed so orderly as Tyler strutted along the catwalk in skin-tight pants, a shiny purple jacket and white cowboy hat as he sung the opener of "Love in an Elevator."
Nor did they rush the stage or paw at guitarist Joe Perry, who later stripped down to jeans and boots and beat his axe with a silk shirt full of silver confetti at the end of the promenade.
Perry and Tyler slowed it down with a sit-down jam featuring "Seasons of Wither" without the awesome fake snowstorm provided in Tinley Park in '06.
Mostly, though, Perry stuck close to guitarist Brad Whitford and Hamilton, all huddled by Joey Kramer's drums, and let Tyler rule the roost as he does so well.
Tyler, 59, has the energy of a punk kid pumped up on Red Bull. Perry, 57, is the epitome of cool. Kramer, 57, is one solid-built dude. Whitford and Hamilton, though, look older than 55.
Tyler smugly pulled a harmonica out of the front of his pants during "Cryin'," alternated between harp and primal screams during "Baby Please Don't Go," and only relied on the teleprompter for straddling purposes.
The crowd seemed bored during "Pink," and who could blame them when there are dozens of better songs? But Tyler rebuilt the momentum with an a cappella intro to "What It Takes."
Aerosmith, who plan to start recording in November, thankfully played plenty of material from its early days, including "Last Child," "S.O.S. (Too Bad)," "Walkin' the Dog," "Rats in the Cellar" and "Draw the Line," and closing with the usual "Walk This Way."
Seeing Aerosmith perform "Dream On" and "Sweet Emotion" should be on everyone's list of things to do.
Aerosmith's Joe Perry: 'Life Is Delicate'
Metal Underground, MD
September 25, 2007
The Pulse of Radio (formerly Launch Radio Networks) reports: Aerosmith has just wrapped up a brief set of North American dates and will be taking a short break before entering the studio in November. After over 30 years together, the members of the Boston-based rock band have survived injury, addiction and cancer, but now that they're well into their fifties, the still-youthful quintet is beginning to feel their age.
Guitarist Joe Perry said that touring and performance is no longer something the band can take for granted. "You realize you're not an immortal, and you don't have this 22-year-old feeling of 'this thing can go on forever,' and you know, 'I can do whatever I want, I can go for three nights without sleep and everything will be fine,'" he said. "You start to realize that it's a very delicate thing, life is a delicate thing, and being able to perform at the top of your game is a delicate thing. And it's one of those changes, you know, that comes over. I'm still amazed that we can put on the kind of show that we put on. Every night could be our last."
Perry recently told Billboard.com that when they return to the studio in November, they'll create their music from leftover material from earlier projects and use bits and pieces that organically come together. "I'd like to have songs that the band can play live and have them sound great and not need to have a bunch of overdubs and all that, even though we will do that after the fact," he said. "But that's the icing on the cake. The cake is good songs, and that's what we're gonna be shooting for."
September 25, 2007
The Pulse of Radio (formerly Launch Radio Networks) reports: Aerosmith has just wrapped up a brief set of North American dates and will be taking a short break before entering the studio in November. After over 30 years together, the members of the Boston-based rock band have survived injury, addiction and cancer, but now that they're well into their fifties, the still-youthful quintet is beginning to feel their age.
Guitarist Joe Perry said that touring and performance is no longer something the band can take for granted. "You realize you're not an immortal, and you don't have this 22-year-old feeling of 'this thing can go on forever,' and you know, 'I can do whatever I want, I can go for three nights without sleep and everything will be fine,'" he said. "You start to realize that it's a very delicate thing, life is a delicate thing, and being able to perform at the top of your game is a delicate thing. And it's one of those changes, you know, that comes over. I'm still amazed that we can put on the kind of show that we put on. Every night could be our last."
Perry recently told Billboard.com that when they return to the studio in November, they'll create their music from leftover material from earlier projects and use bits and pieces that organically come together. "I'd like to have songs that the band can play live and have them sound great and not need to have a bunch of overdubs and all that, even though we will do that after the fact," he said. "But that's the icing on the cake. The cake is good songs, and that's what we're gonna be shooting for."
Joe and Billie Perry Featured in New Book
Aero Force One
September 25, 2007
For most of us, keys are simple pieces of metal that unlock the doors in our life, but the word “key” has come to mean something more figurative as well. This profound connection is the touchstone of award-winning photojournalist Linda Solomon’s powerful new book, The Key - Celebrated People Unlock Their Secrets to Life, which offers a truly unique collection of 56 celebrities’ words of inspiration. Included in the book are words of wisdom from many survivors of breast cancer, including Melissa Etheridge, Olivia Newton-John, and others. Advice on many of life’s biggest questions can be found here, from The Key to an Everlasting Love from Aerosmith’s Joe Perry, to The Key to Obtaining the Brass Ring from Steve Forbes. Solomon beautifully presents a rare glimpse into the hearts and minds of today’s most celebrated people. The words are honest and often surprising, both serious and fun, and always enlightening. Life’s secrets are ultimately best when shared. So come turn the key and open the door to discover the wisdom within. A portion of proceeds from the sale of The Key supports EIF's Women's Cancer Research Fund and the fight against breast cancer.
The Key - Celebrated People Unlock Their Secrets to Life is available in book stores on Oct. 1st.
More on the author and the book.
September 25, 2007
For most of us, keys are simple pieces of metal that unlock the doors in our life, but the word “key” has come to mean something more figurative as well. This profound connection is the touchstone of award-winning photojournalist Linda Solomon’s powerful new book, The Key - Celebrated People Unlock Their Secrets to Life, which offers a truly unique collection of 56 celebrities’ words of inspiration. Included in the book are words of wisdom from many survivors of breast cancer, including Melissa Etheridge, Olivia Newton-John, and others. Advice on many of life’s biggest questions can be found here, from The Key to an Everlasting Love from Aerosmith’s Joe Perry, to The Key to Obtaining the Brass Ring from Steve Forbes. Solomon beautifully presents a rare glimpse into the hearts and minds of today’s most celebrated people. The words are honest and often surprising, both serious and fun, and always enlightening. Life’s secrets are ultimately best when shared. So come turn the key and open the door to discover the wisdom within. A portion of proceeds from the sale of The Key supports EIF's Women's Cancer Research Fund and the fight against breast cancer.
The Key - Celebrated People Unlock Their Secrets to Life is available in book stores on Oct. 1st.
More on the author and the book.
Allstate Arena
Aero Force One
September 25, 2007
Aerosmith - Chicago, Illinois
September 24, 2007
(Photos by: Amanda Ayre - AF1)
See more.... (here).
September 25, 2007
Aerosmith - Chicago, Illinois
September 24, 2007
(Photos by: Amanda Ayre - AF1)
See more.... (here).
Tuesday, September 25, 2007
Chicago, Illinois
Aero Force One
September 24, 2007
Set List: Aerosmith - Allstate Arena - September 24, 2007
Love In An Elevator
Same Old Song and Dance
Cryin'
S.O.S. (Too Bad)
Pink
What It Takes
Last Child
Baby Please Don't Go
Hangman Jury/Seasons Of Wither
Walkin' The Dog
Dream On
Rats In The Cellar
Livin' On The Edge
Stop Messin' Around
Sweet Emotion
Draw The Line
~~~~~Encore~~~~~
Walk This Way
Thanks to: Aero Force One.
September 24, 2007
Set List: Aerosmith - Allstate Arena - September 24, 2007
Love In An Elevator
Same Old Song and Dance
Cryin'
S.O.S. (Too Bad)
Pink
What It Takes
Last Child
Baby Please Don't Go
Hangman Jury/Seasons Of Wither
Walkin' The Dog
Dream On
Rats In The Cellar
Livin' On The Edge
Stop Messin' Around
Sweet Emotion
Draw The Line
~~~~~Encore~~~~~
Walk This Way
Thanks to: Aero Force One.
Monday, September 24, 2007
From Molson Amphitheater on Tuesday
Just Jared.com
September 24, 2007
Liv Tyler takes son Milo, 2 1/2, on stage with her to watch granddad Steven Tyler (lead singer of Aerosmith) rock out during a concert at the Molson Amphitheater on Tuesday in Toronto, Canada....
Milo wore protective noise-canceling headphones just like baby Wyatt, Sheryl Crow’s son. Royston Langdon, Liv’s hubby and Milo’s father, is a musician and the lead singer and bass player of the Rock band Arckid.
More photos.... (here)
September 24, 2007
Liv Tyler takes son Milo, 2 1/2, on stage with her to watch granddad Steven Tyler (lead singer of Aerosmith) rock out during a concert at the Molson Amphitheater on Tuesday in Toronto, Canada....
Milo wore protective noise-canceling headphones just like baby Wyatt, Sheryl Crow’s son. Royston Langdon, Liv’s hubby and Milo’s father, is a musician and the lead singer and bass player of the Rock band Arckid.
More photos.... (here)
Employee of the Tour: Jimmy Eyers
Aero Force One
September 23, 2007
Jimmy has been working steady for the band since 1993, except for a brief 3 month sabbatical last year. He spent the time at Simi Valley Community College studying Japanese culture. He also took a class as a sushi chef and was under the tutelage of master sushi chef Junkahowa “Woo Woo” Wu. Jimmy plans to use his upcoming time off from Aerosmith working in Japan with famed Japanese promoter Mr. Udo. Jimmy just might be the most honest and caring tour manager in the business. That’s why he is my Employee of the Tour. Plus he is my boss and it never hurts to brown nose a little.
John B.
September 23, 2007
Jimmy has been working steady for the band since 1993, except for a brief 3 month sabbatical last year. He spent the time at Simi Valley Community College studying Japanese culture. He also took a class as a sushi chef and was under the tutelage of master sushi chef Junkahowa “Woo Woo” Wu. Jimmy plans to use his upcoming time off from Aerosmith working in Japan with famed Japanese promoter Mr. Udo. Jimmy just might be the most honest and caring tour manager in the business. That’s why he is my Employee of the Tour. Plus he is my boss and it never hurts to brown nose a little.
John B.
Borgata Hotel Casino & Spa
Aero Force One
September 23, 2007
Aerosmith - Atlantic City, New Jersey
September 22, 2007
(Photos by: Amanda Ayre - AF1)
See more.... (here).
September 23, 2007
Aerosmith - Atlantic City, New Jersey
September 22, 2007
(Photos by: Amanda Ayre - AF1)
See more.... (here).
Sunday, September 23, 2007
Veteran Rockers Aerosmith shows no signs of slowing down
The Press of Atlantic City, NJ
Aerosmith is that rock 'n' roll rarity: a veteran band that has managed to survive - make that thrive - with its original lineup intact. Except for a five-year blip in the early 1980s, Aerosmith has been fronted since the early '70s by Steven Tyler, with Joe Perry on lead guitar, Tom Hamilton on bass, Brad Whitford on guitar and Joey Kramer on drums.
Overcoming well-documented substance abuse problems, the hard rock outfit has managed to gain iconic status but still seem current, in large part due to its raft of radio-friendly hits like "Sweet Emotion," "Janie's Got a Gun" and "I Don't Want to Miss a Thing."
Bassist Tom Hamilton, who sat out last year's tour due to a battle with throat cancer - he's healthy now - spoke to At The Shore about Aerosmith's past challenges, present state and future plans.
Q: You're just wrapping your first world tour in nearly 10 years. What's it been like?
A: Some of the countries that have been traditionally poor have growing economies - places like India, Russia, Estonia and Latvia. All of a sudden, they're on the map for places you go to tour. That's an exciting thing for me, to be caught up in the global economy, to have people in the middle class in countries where they've been impoverished before.
Q: Did performing in Dubai seem much different from a typical tour stop?
A: I just couldn't stop thinking about what it was going to be like: all men in Arab dress or jeans and T-shirts. Will it be women? The thing about Dubai is that most of the people in that city at any given time are from somewhere else. The audience ended up being not that different from a lot of gigs we do.
Q: Given your catalog, your setlist must be a challenge. What are you playing these days?
A: We get a certain skeleton we work from and certain structure that has spaces in it, where we can plug songs in and take them out and change them. We have to have "Sweet Emotion," "Walk This Way" and "Dream On," and some of the ballads, and then we can interchange different album cuts. You have to figure out which era to draw from. Right now, we're drawing more heavily on the '70s stuff.
Q: Are you playing anything from your upcoming album (No. 15), which is in the works for a 2008 release?
A: We've got the framework for a bunch of stuff we really like, but none of it is ready to be played live. It's rock songs - fast and crunchy. We're really psyched because the fields are so fertile for loud guitar-based music.
Q: The band has (mostly) been together for almost 40 years. What's your secret to not driving each other crazy?
A: We went through some bitterness for sure - bitterness turbocharged by being hung over and burned out. Luckily, it worked out. A lot of bands try to work it out and all it does is reconfirm that they think the other guy is an a--hole.
Aerosmith is that rock 'n' roll rarity: a veteran band that has managed to survive - make that thrive - with its original lineup intact. Except for a five-year blip in the early 1980s, Aerosmith has been fronted since the early '70s by Steven Tyler, with Joe Perry on lead guitar, Tom Hamilton on bass, Brad Whitford on guitar and Joey Kramer on drums.
Overcoming well-documented substance abuse problems, the hard rock outfit has managed to gain iconic status but still seem current, in large part due to its raft of radio-friendly hits like "Sweet Emotion," "Janie's Got a Gun" and "I Don't Want to Miss a Thing."
Bassist Tom Hamilton, who sat out last year's tour due to a battle with throat cancer - he's healthy now - spoke to At The Shore about Aerosmith's past challenges, present state and future plans.
Q: You're just wrapping your first world tour in nearly 10 years. What's it been like?
A: Some of the countries that have been traditionally poor have growing economies - places like India, Russia, Estonia and Latvia. All of a sudden, they're on the map for places you go to tour. That's an exciting thing for me, to be caught up in the global economy, to have people in the middle class in countries where they've been impoverished before.
Q: Did performing in Dubai seem much different from a typical tour stop?
A: I just couldn't stop thinking about what it was going to be like: all men in Arab dress or jeans and T-shirts. Will it be women? The thing about Dubai is that most of the people in that city at any given time are from somewhere else. The audience ended up being not that different from a lot of gigs we do.
Q: Given your catalog, your setlist must be a challenge. What are you playing these days?
A: We get a certain skeleton we work from and certain structure that has spaces in it, where we can plug songs in and take them out and change them. We have to have "Sweet Emotion," "Walk This Way" and "Dream On," and some of the ballads, and then we can interchange different album cuts. You have to figure out which era to draw from. Right now, we're drawing more heavily on the '70s stuff.
Q: Are you playing anything from your upcoming album (No. 15), which is in the works for a 2008 release?
A: We've got the framework for a bunch of stuff we really like, but none of it is ready to be played live. It's rock songs - fast and crunchy. We're really psyched because the fields are so fertile for loud guitar-based music.
Q: The band has (mostly) been together for almost 40 years. What's your secret to not driving each other crazy?
A: We went through some bitterness for sure - bitterness turbocharged by being hung over and burned out. Luckily, it worked out. A lot of bands try to work it out and all it does is reconfirm that they think the other guy is an a--hole.
Atlantic City, New Jersey
Aero Force One
September 22, 2007
Set List: Aerosmith - Borgata Hotel Casino & Spa - September 22, 2007
Love In An Elevator
Same Old Song and Dance
Cryin'
S.O.S. (Too Bad)
Pink
What It Takes
Last Child
Baby Please Don't Go
Hangman Jury/Seasons Of Wither
Toys in the Attic
Dream On
Rats In The Cellar
Livin' On The Edge
Stop Messin' Around
Sweet Emotion
Draw The Line
~~~~~Encore~~~~~
Walk This Way
Thanks to: Aero Force One.
September 22, 2007
Set List: Aerosmith - Borgata Hotel Casino & Spa - September 22, 2007
Love In An Elevator
Same Old Song and Dance
Cryin'
S.O.S. (Too Bad)
Pink
What It Takes
Last Child
Baby Please Don't Go
Hangman Jury/Seasons Of Wither
Toys in the Attic
Dream On
Rats In The Cellar
Livin' On The Edge
Stop Messin' Around
Sweet Emotion
Draw The Line
~~~~~Encore~~~~~
Walk This Way
Thanks to: Aero Force One.
Saturday, September 22, 2007
Aerosmith, Tyler In Fine Form At Mohegan Sun
The Hartford Courant, CT
September 22, 2007
Aerosmith guitarist Joe Perry performs -
Mohegan Sun Arena, Uncasville.
(Khoi Ton/AP/September 19, 2007)
Aerosmith has seen its share of ups and downs since the band was established in Boston in 1970, but nowadays, the band is remarkably healthy, both in the condition of its members and its standing as a business enterprise. The best-selling American hard-rock act of all time still sports all of its original members and is careful to protect its franchise, an attitude that showed Thursday night at the Mohegan Sun Arena in a performance that smartly balanced solid professionalism and engaging rock bombast.
No sooner did the lights come up than singer Steven Tyler loosened up his first screech of the evening, and he continued yelling to the point of strain as the act's six-piece live lineup (the five principals plus a keyboard player) pounded its way through the opening "Love in an Elevator." Bass player Tom Hamilton applied a plump underbelly to the throbbing "Same Old Song and Dance" as the band's two guitarists filled the tune with a stout spectrum of sonic grit.
Joe Perry was the showier of those two guitars, whether he was filling the blustery tail of "Cryin'" with pyrotechnics or ladling slow sizzle onto the hearty pulse of "Pink" while Tyler blew some harmonica for texture.
Fare such as the 1990 number "What It Takes" was very familiar to the enthusiastic full house, but the band also dug up material such as the 1976 cut "Rats in the Cellar," which extended into a punchy workout.
Guitarist Brad Whitford made chunky contributions to tunes like "Last Child" but also did a lot of detail work such as his bit on "Stop Messin' Around," which featured Perry's lead vocal amid its bounding blues groove. Whitford kicked out a crisp solo in a full-bore rendition of "Walkin' the Dog," while Perry's was the more decorative presence amid the robust escalation of "Dream On."
The band had few rough edges as it executed tunes smoothly and with polish. Tyler was typical of the band's approach, at 59 a genial host who strutted constantly while still hitting his cues, even if his voice is a touch wild. For all its raw energy, the troupe was rehearsed - and restrained - every step of the way.
An insistent roll through "Sweet Emotion" saw Perry provide texture by complementing his guitar-playing with some spacey sounds, and the set closed with a propulsive trip through "Draw the Line" that was gilded by two guitar roars. An encore of "Walk This Way" was a prime example of how the band has extended its longevity, an invitation to a party that never got out of hand.
September 22, 2007
Aerosmith guitarist Joe Perry performs -
Mohegan Sun Arena, Uncasville.
(Khoi Ton/AP/September 19, 2007)
Aerosmith has seen its share of ups and downs since the band was established in Boston in 1970, but nowadays, the band is remarkably healthy, both in the condition of its members and its standing as a business enterprise. The best-selling American hard-rock act of all time still sports all of its original members and is careful to protect its franchise, an attitude that showed Thursday night at the Mohegan Sun Arena in a performance that smartly balanced solid professionalism and engaging rock bombast.
No sooner did the lights come up than singer Steven Tyler loosened up his first screech of the evening, and he continued yelling to the point of strain as the act's six-piece live lineup (the five principals plus a keyboard player) pounded its way through the opening "Love in an Elevator." Bass player Tom Hamilton applied a plump underbelly to the throbbing "Same Old Song and Dance" as the band's two guitarists filled the tune with a stout spectrum of sonic grit.
Joe Perry was the showier of those two guitars, whether he was filling the blustery tail of "Cryin'" with pyrotechnics or ladling slow sizzle onto the hearty pulse of "Pink" while Tyler blew some harmonica for texture.
Fare such as the 1990 number "What It Takes" was very familiar to the enthusiastic full house, but the band also dug up material such as the 1976 cut "Rats in the Cellar," which extended into a punchy workout.
Guitarist Brad Whitford made chunky contributions to tunes like "Last Child" but also did a lot of detail work such as his bit on "Stop Messin' Around," which featured Perry's lead vocal amid its bounding blues groove. Whitford kicked out a crisp solo in a full-bore rendition of "Walkin' the Dog," while Perry's was the more decorative presence amid the robust escalation of "Dream On."
The band had few rough edges as it executed tunes smoothly and with polish. Tyler was typical of the band's approach, at 59 a genial host who strutted constantly while still hitting his cues, even if his voice is a touch wild. For all its raw energy, the troupe was rehearsed - and restrained - every step of the way.
An insistent roll through "Sweet Emotion" saw Perry provide texture by complementing his guitar-playing with some spacey sounds, and the set closed with a propulsive trip through "Draw the Line" that was gilded by two guitar roars. An encore of "Walk This Way" was a prime example of how the band has extended its longevity, an invitation to a party that never got out of hand.
Chicago becomes tour-ending destination for Aerosmith
Chicago Daily Herald, IL
September 21, 2007
Chicago is now the final destination of Aerosmith's 37-city international tour.
Publicists for the rock band say the group had to cancel its sold-out, tour-ending concert in Hawaii because of a conflict with a bigger concert in Chicago.
The Mitch Schneider Organization says rescheduling the Chicago event from last Monday to next Monday made it difficult to get the tour equipment to Maui, Hawaii two days later.
A release says the band would like to apologize to its fans in Hawaii.
The band has won four Grammys including one for its 1990 hit song "Janie's Got a Gun."
September 21, 2007
Chicago is now the final destination of Aerosmith's 37-city international tour.
Publicists for the rock band say the group had to cancel its sold-out, tour-ending concert in Hawaii because of a conflict with a bigger concert in Chicago.
The Mitch Schneider Organization says rescheduling the Chicago event from last Monday to next Monday made it difficult to get the tour equipment to Maui, Hawaii two days later.
A release says the band would like to apologize to its fans in Hawaii.
The band has won four Grammys including one for its 1990 hit song "Janie's Got a Gun."
Mohegan Sun
Aero Force One
September 21, 2007
Aerosmith - Uncasville, CT
September 20, 2007
(Photos by: Amanda Ayre - AF1)
See more.... (here).
September 21, 2007
Aerosmith - Uncasville, CT
September 20, 2007
(Photos by: Amanda Ayre - AF1)
See more.... (here).
Friday, September 21, 2007
Uncasville, Connecticut
Aero Force One
September 20, 2007
Set List: Aerosmith - Mohegan Sun - September 20, 2007
Love In An Elevator
Same Old Song and Dance
Cryin'
S.O.S. (Too Bad)
Pink
What It Takes
Last Child
Baby Please Don't Go
Hangman Jury/Seasons Of Wither
Walkin' The Dog
Dream On
Rats In The Cellar
Livin' On The Edge
Stop Messin' Around
Sweet Emotion
Draw The Line
~~~~~Encore~~~~~
Walk This Way
Thanks to: Aero Force One.
September 20, 2007
Set List: Aerosmith - Mohegan Sun - September 20, 2007
Love In An Elevator
Same Old Song and Dance
Cryin'
S.O.S. (Too Bad)
Pink
What It Takes
Last Child
Baby Please Don't Go
Hangman Jury/Seasons Of Wither
Walkin' The Dog
Dream On
Rats In The Cellar
Livin' On The Edge
Stop Messin' Around
Sweet Emotion
Draw The Line
~~~~~Encore~~~~~
Walk This Way
Thanks to: Aero Force One.
News From The Road
Aero Force One
September 20, 2007
What I Did on My Summer Vacation
Sorry that it took so long to write but I was either really busy or really lazy or both. The guys took most of August off except for one quick trip to Las Vegas but we can’t talk about that. Joe did tape his segment with Toby Keith on the 24th right outside of Buffalo. It was weird being at that venue. Aerosmith has probably played there 7 or 8 times in the past 10 years and this time there were no cases with the wings painted on the side in sight. I felt like I was visiting a house I use to live in but the current residents made us feel right at home. At least we had old Jim Survis and his bald dome there to make sure the Billie fiddle was in tune and sounding great. Joe and I got to the venue at about 4 in the afternoon and he ran through the song a few times with Toby and his band. After the soundcheck the guys did some interviews and chilled together on Toby’s bus before the show. They traded old Elvis stories. Joe and Toby both have good friends who were in the Memphis mafia so the tales came right from the sources. Joe’s buddy as you may know is Joe Esposito (Elvis’s Tour Manager and friend) who was also on the Elvis special quite a bit. Right after the show it was back to the airport and back to Vermont.
Toby Keith and Joe - photo by Kirby Middleton
Joe, Me, Joe Espo and Steven in Vegas - photo by Ross Halfin
September has just been all out! The band all got together in NYC for a rehearsal at Radio City for the Fashion Rocks show. The guys as you know did “Walk this Way” with Fergie and “Dude.” WTW was always a lock but “Pink,” “Train” and “Ragdoll” were also in the running for the second song but “Dude” won out. Fergie was awesome! Every bit as pretty and nice in person. Steven and her just jelled and she was amazing. Joe collaborated with Emmy winner Jennifer Hudson on the Beatles song “Come Together.” This wasn’t the first time Joe has performed that song on that stage. In 1991 the guys played it at the Grammys in a tribute to John Lennon. Jennifer was very shy so if you can believe it, Joe was the chatty Kathy of the two. Boy can she sing! They rehearsed in Joe’s dressing room before hitting the big stage and she practically broke glass with her high notes. After the show most of the guys flew back to Boston leaving the party animal Mr. Tyler behind to attend the after show soirées.
Fergie with Steven
Joe and Jennifer Hudson hang backstage - photo by John B.
The band hired old friend Mark Weiss to shoot the behind the scenes moments. With Old Ross Halfin being wished into the cornfields for the 11th time and Blonde Bombshell Melissa Mahoney (who did the European Tour) at home with a bun in the oven, the guys brought in old Mark who looks like he was just defrosted from a cryogenic cylinder. He basically looks the same as he did when he was on the Rock Scene in 1977. He also shot a few of the shows too.
Joe and Tony on Red Carpet with Mark Weiss - photo by John B.
Brad, Tom and Joey on CCN
Next up was Detroit Rock City. It was a bummer that we didn’t stay over because it has always been one of my favorite cities to hang in. The show in my mind was one of the better ones of the tour. As you know Chicago was postponed and has been rescheduled for Sept. 24th. I’m glad because the place is going to be packed and is now going to be one of the last shows of the tour. What a way to go out. It’s too bad too because it was originally going to be on Joe’s birthday.
Jones Beach was good too because you get to see a lot of old friends. Even some of the Sony brass took the trek from the city to say hi to the guys. Of course a NY show wouldn’t be the same without an appearance from Ray Tabano. Ray as you know was the band’s first rhythm guitarist and then T-Shirt peddler so he is permanently enshrined in Aero folk lore. His snappy attire never disappoints.
Joan Jett has been opening the shows this tour and must have been in a cylinder next to Weiss. She looks exactly the same as she did in 1982. It was a pleasure having her and her friend Carmen Electra watching the show behind me at Jones Beach. Unfortunately a prior commitment forced her to skip the Mansfield show but taking her place was James Montgomery. James and the band have been friends since cane was able and brought his Boston baked blues to another level that night. David Hull is his bass player and looked quite happy back on the big stage even though his bass rig has shrunk quite a bit since filling in for Tom Hamilton last year. James was invited out to blow some harp on “Stop Messin’.” It was fun seeing him and Steven kind of recreating a sort of Crossroads type duel. James is the master of the harmonica no question but Steven went toe to toe with him. It just proves how versatile the Demon is whether it’s on Harp, Piano or drums. Oh Yeah he’s not a bad singer too.
Speaking of Harps - Steven has just come out with his own Hohner signature Harmonica. Folks, these harps are a thing of beauty. If you get a chance you should pick one up. It’s a real collector’s item that would look great on the mantel.
The Steven Tyler Signature Series Harmonica
The band’s video director, Casey Thibeault, and creative director, Keith Garde, have come up with a new opening for the show. Unless you live under a rock you know the guys have just preformed in countless country’s this summer and the video is a kind of “what Aerosmith did on their Summer vacation.” I am sure they will put it up on the web site right after the tour. They would do it now but we don’t want to spoil it for the last few shows.
I promise to be back next week after all the gear is back in the warehouse and recap the final week of this awesome run of shows.
See You on The Road!
John B.
Joey right before going onstage in Toronto - photo by John B.
September 20, 2007
What I Did on My Summer Vacation
Sorry that it took so long to write but I was either really busy or really lazy or both. The guys took most of August off except for one quick trip to Las Vegas but we can’t talk about that. Joe did tape his segment with Toby Keith on the 24th right outside of Buffalo. It was weird being at that venue. Aerosmith has probably played there 7 or 8 times in the past 10 years and this time there were no cases with the wings painted on the side in sight. I felt like I was visiting a house I use to live in but the current residents made us feel right at home. At least we had old Jim Survis and his bald dome there to make sure the Billie fiddle was in tune and sounding great. Joe and I got to the venue at about 4 in the afternoon and he ran through the song a few times with Toby and his band. After the soundcheck the guys did some interviews and chilled together on Toby’s bus before the show. They traded old Elvis stories. Joe and Toby both have good friends who were in the Memphis mafia so the tales came right from the sources. Joe’s buddy as you may know is Joe Esposito (Elvis’s Tour Manager and friend) who was also on the Elvis special quite a bit. Right after the show it was back to the airport and back to Vermont.
Toby Keith and Joe - photo by Kirby Middleton
Joe, Me, Joe Espo and Steven in Vegas - photo by Ross Halfin
September has just been all out! The band all got together in NYC for a rehearsal at Radio City for the Fashion Rocks show. The guys as you know did “Walk this Way” with Fergie and “Dude.” WTW was always a lock but “Pink,” “Train” and “Ragdoll” were also in the running for the second song but “Dude” won out. Fergie was awesome! Every bit as pretty and nice in person. Steven and her just jelled and she was amazing. Joe collaborated with Emmy winner Jennifer Hudson on the Beatles song “Come Together.” This wasn’t the first time Joe has performed that song on that stage. In 1991 the guys played it at the Grammys in a tribute to John Lennon. Jennifer was very shy so if you can believe it, Joe was the chatty Kathy of the two. Boy can she sing! They rehearsed in Joe’s dressing room before hitting the big stage and she practically broke glass with her high notes. After the show most of the guys flew back to Boston leaving the party animal Mr. Tyler behind to attend the after show soirées.
Fergie with Steven
Joe and Jennifer Hudson hang backstage - photo by John B.
The band hired old friend Mark Weiss to shoot the behind the scenes moments. With Old Ross Halfin being wished into the cornfields for the 11th time and Blonde Bombshell Melissa Mahoney (who did the European Tour) at home with a bun in the oven, the guys brought in old Mark who looks like he was just defrosted from a cryogenic cylinder. He basically looks the same as he did when he was on the Rock Scene in 1977. He also shot a few of the shows too.
Joe and Tony on Red Carpet with Mark Weiss - photo by John B.
Brad, Tom and Joey on CCN
Next up was Detroit Rock City. It was a bummer that we didn’t stay over because it has always been one of my favorite cities to hang in. The show in my mind was one of the better ones of the tour. As you know Chicago was postponed and has been rescheduled for Sept. 24th. I’m glad because the place is going to be packed and is now going to be one of the last shows of the tour. What a way to go out. It’s too bad too because it was originally going to be on Joe’s birthday.
Jones Beach was good too because you get to see a lot of old friends. Even some of the Sony brass took the trek from the city to say hi to the guys. Of course a NY show wouldn’t be the same without an appearance from Ray Tabano. Ray as you know was the band’s first rhythm guitarist and then T-Shirt peddler so he is permanently enshrined in Aero folk lore. His snappy attire never disappoints.
Joan Jett has been opening the shows this tour and must have been in a cylinder next to Weiss. She looks exactly the same as she did in 1982. It was a pleasure having her and her friend Carmen Electra watching the show behind me at Jones Beach. Unfortunately a prior commitment forced her to skip the Mansfield show but taking her place was James Montgomery. James and the band have been friends since cane was able and brought his Boston baked blues to another level that night. David Hull is his bass player and looked quite happy back on the big stage even though his bass rig has shrunk quite a bit since filling in for Tom Hamilton last year. James was invited out to blow some harp on “Stop Messin’.” It was fun seeing him and Steven kind of recreating a sort of Crossroads type duel. James is the master of the harmonica no question but Steven went toe to toe with him. It just proves how versatile the Demon is whether it’s on Harp, Piano or drums. Oh Yeah he’s not a bad singer too.
Speaking of Harps - Steven has just come out with his own Hohner signature Harmonica. Folks, these harps are a thing of beauty. If you get a chance you should pick one up. It’s a real collector’s item that would look great on the mantel.
The Steven Tyler Signature Series Harmonica
The band’s video director, Casey Thibeault, and creative director, Keith Garde, have come up with a new opening for the show. Unless you live under a rock you know the guys have just preformed in countless country’s this summer and the video is a kind of “what Aerosmith did on their Summer vacation.” I am sure they will put it up on the web site right after the tour. They would do it now but we don’t want to spoil it for the last few shows.
I promise to be back next week after all the gear is back in the warehouse and recap the final week of this awesome run of shows.
See You on The Road!
John B.
Joey right before going onstage in Toronto - photo by John B.
Maui, HI has been cancelled
Aero Force One
September 20, 2007
The Aerosmith concert in Maui, HI on September 26th has been cancelled. AF1 will start processing refunds immediately.
September 20, 2007
The Aerosmith concert in Maui, HI on September 26th has been cancelled. AF1 will start processing refunds immediately.
Thursday, September 20, 2007
Molson Amphitheatre
Aero Force One
September 19, 2007
Aerosmith - Toronto, Ontario
September 18, 2007
(Photos by: Amanda Ayre - AF1)
See more.... (here).
September 19, 2007
Aerosmith - Toronto, Ontario
September 18, 2007
(Photos by: Amanda Ayre - AF1)
See more.... (here).
Wednesday, September 19, 2007
Toronto, Ontario
Aero Force One
September 19, 2007
Set List: Aerosmith - Molson Amphitheatre - September 18, 2007
Love In An Elevator
Same Old Song and Dance
Cryin'
S.O.S. (Too Bad)
Pink
What It Takes
Last Child
Baby Please Don't Go
Hangman Jury/Seasons Of Wither
Walkin' The Dog
Dream On
Rats In The Cellar
Livin' On The Edge
Stop Messin' Around
Sweet Emotion
Draw The Line
~~~~~Encore~~~~~
Walk This Way
Thanks to: Aero Force One.
September 19, 2007
Set List: Aerosmith - Molson Amphitheatre - September 18, 2007
Love In An Elevator
Same Old Song and Dance
Cryin'
S.O.S. (Too Bad)
Pink
What It Takes
Last Child
Baby Please Don't Go
Hangman Jury/Seasons Of Wither
Walkin' The Dog
Dream On
Rats In The Cellar
Livin' On The Edge
Stop Messin' Around
Sweet Emotion
Draw The Line
~~~~~Encore~~~~~
Walk This Way
Thanks to: Aero Force One.
Tyler And Perry: The Stories Behind The Aerosmith Hits
Blabbermouth.net, NY
September 18, 2007
Joe Perry and Steven Tyler recently shared with Gibson their exclusive insights and the back stories to several Aerosmith classics.
"Draw the Line" ("Draw the Line", 1977)
Perry: "That was a case of trying to use an open tuning in a way that wasn't typical, that wasn't simply going to the sus4. That's kind of how I approach open tunings. A lot of times your fingers just naturally want to go in that direction, and that just calls attention to that open tuning, kind of the way Keith Richards plays it. As a guitar player, Richards grabbed that early on and made it his signature. There's something very distinctive and fun about playing with an open tuning, because you get all those open notes, and it just sounds great coming out of a guitar amp. But you don't want it to sound like the other guy who's using that same tuning. So I've always approached that with the attitude of, ‘Well, I'm going to make this sound distinctive.' The Black Crowes used that tuning to great effect, but I could always tell what it was. I just shifted the tuning around a bit, and made it talk a little more, for my own tastes.”
"Back in the Saddle" ("Rocks", 1976)
Perry: "I had heard [original Fleetwood Mac guitarist] Peter Green playing a 6-string bass, although he never really played it as part of a song. He would sort of jam with it. But that's how I knew they existed. I figured it would be a cool instrument to play live. It sounded great, and I didn't know anyone else who was doing it. I wrote that song so that I would have excuse to play it on stage."
"Same Old Song and Dance" ("Get Your Wings", 1974)
Perry: "The original version [a different song with the same title, written by Sammy Cahn and made famous by Frank Sinatra] had more of a swing thing going. We just straightened it out and made it more of a twelve-bar progression. I haven't heard the original in a lot of years, but I seem to remember that it was a little looser. If you go back really far, you don't find a whole lot of straight 12-bar blues. There's always a variation on it, and a change, and I think that's kind of what we did to that song. We brought in the same instrumentation, and played it the way we heard it going down. Listening back to it, I think, ‘Wow, we were playing swing back in 1974. How about that?' It was just another experiment. I'm not sure we really knew what we were doing."
Read the entire article: (here).
September 18, 2007
Joe Perry and Steven Tyler recently shared with Gibson their exclusive insights and the back stories to several Aerosmith classics.
"Draw the Line" ("Draw the Line", 1977)
Perry: "That was a case of trying to use an open tuning in a way that wasn't typical, that wasn't simply going to the sus4. That's kind of how I approach open tunings. A lot of times your fingers just naturally want to go in that direction, and that just calls attention to that open tuning, kind of the way Keith Richards plays it. As a guitar player, Richards grabbed that early on and made it his signature. There's something very distinctive and fun about playing with an open tuning, because you get all those open notes, and it just sounds great coming out of a guitar amp. But you don't want it to sound like the other guy who's using that same tuning. So I've always approached that with the attitude of, ‘Well, I'm going to make this sound distinctive.' The Black Crowes used that tuning to great effect, but I could always tell what it was. I just shifted the tuning around a bit, and made it talk a little more, for my own tastes.”
"Back in the Saddle" ("Rocks", 1976)
Perry: "I had heard [original Fleetwood Mac guitarist] Peter Green playing a 6-string bass, although he never really played it as part of a song. He would sort of jam with it. But that's how I knew they existed. I figured it would be a cool instrument to play live. It sounded great, and I didn't know anyone else who was doing it. I wrote that song so that I would have excuse to play it on stage."
"Same Old Song and Dance" ("Get Your Wings", 1974)
Perry: "The original version [a different song with the same title, written by Sammy Cahn and made famous by Frank Sinatra] had more of a swing thing going. We just straightened it out and made it more of a twelve-bar progression. I haven't heard the original in a lot of years, but I seem to remember that it was a little looser. If you go back really far, you don't find a whole lot of straight 12-bar blues. There's always a variation on it, and a change, and I think that's kind of what we did to that song. We brought in the same instrumentation, and played it the way we heard it going down. Listening back to it, I think, ‘Wow, we were playing swing back in 1974. How about that?' It was just another experiment. I'm not sure we really knew what we were doing."
Read the entire article: (here).
Tuesday, September 18, 2007
Joe Perry to appear on ABC tonight at 9/8c
Aero Force One
September 18, 2007
"Aerosmith guitarist Joe Perry joined Toby Keith on stage Friday (Aug. 24) in Buffalo, N.Y., to tape a performance for the upcoming ABC News program commemorating the 30th anniversary of Elvis Presley's death. Their performance will be included in the Sept. 18 broadcast of the ABC news special, Elvis, Viva Las Vegas. The special also includes performances of Presley's hits by Faith Hill, Miranda Lambert and Willie Nelson, as well as Beyonce, Brandi Carlile, Daughtry, Celine Dion, 50 Cent, Chris Isaak, Paul McCartney, Patty Scialfa and Three 6 Mafia."
Read more on this story from CMT.com
September 18, 2007
"Aerosmith guitarist Joe Perry joined Toby Keith on stage Friday (Aug. 24) in Buffalo, N.Y., to tape a performance for the upcoming ABC News program commemorating the 30th anniversary of Elvis Presley's death. Their performance will be included in the Sept. 18 broadcast of the ABC news special, Elvis, Viva Las Vegas. The special also includes performances of Presley's hits by Faith Hill, Miranda Lambert and Willie Nelson, as well as Beyonce, Brandi Carlile, Daughtry, Celine Dion, 50 Cent, Chris Isaak, Paul McCartney, Patty Scialfa and Three 6 Mafia."
Read more on this story from CMT.com
Living on the Edge
Publishers Weekly
Joey Kramer, drummer for Aerosmith since the band's founding in 1970, has sold a memoir, Little Boy Burning, to Roger Freet at HarperOne via Jill Kneerim at Kneerim & Williams. Kramer's account will cover years of wild excess, getting off drugs and his subsequent struggle with depression. Bill Patrick, coauthor of memoirs by Sidney Poitier and Magic Johnson, will collaborate, and likely pub date is early 2009. HarperOne holds North American rights.
Joey Kramer, drummer for Aerosmith since the band's founding in 1970, has sold a memoir, Little Boy Burning, to Roger Freet at HarperOne via Jill Kneerim at Kneerim & Williams. Kramer's account will cover years of wild excess, getting off drugs and his subsequent struggle with depression. Bill Patrick, coauthor of memoirs by Sidney Poitier and Magic Johnson, will collaborate, and likely pub date is early 2009. HarperOne holds North American rights.
Nissan Pavilion
Aero Force One
September 17, 2007
Aerosmith - Bristow, VA
September 16, 2007
(Photos by: Amanda Ayre - AF1)
See more.... (here).
September 17, 2007
Aerosmith - Bristow, VA
September 16, 2007
(Photos by: Amanda Ayre - AF1)
See more.... (here).
Monday, September 17, 2007
Bristow, Virginia
Aero Force One
September 16, 2007
Set List: Aerosmith - Nissan Pavilion - September 16, 2007
Love In An Elevator
Same Old Song and Dance
Cryin'
S.O.S. (Too Bad)
Pink
What It Takes
Last Child
Baby Please Don't Go
Hangman Jury/Seasons Of Wither
Walkin' The Dog
Dream On
Rats In The Cellar
Livin' On The Edge
Stop Messin' Around
Sweet Emotion
Draw The Line
~~~~~Encore~~~~~
Walk This Way
Thanks to: Aero Force One.
September 16, 2007
Set List: Aerosmith - Nissan Pavilion - September 16, 2007
Love In An Elevator
Same Old Song and Dance
Cryin'
S.O.S. (Too Bad)
Pink
What It Takes
Last Child
Baby Please Don't Go
Hangman Jury/Seasons Of Wither
Walkin' The Dog
Dream On
Rats In The Cellar
Livin' On The Edge
Stop Messin' Around
Sweet Emotion
Draw The Line
~~~~~Encore~~~~~
Walk This Way
Thanks to: Aero Force One.
Sunday, September 16, 2007
Guitar fest is electric - Tom Hamilton Attends
Boston Herald, MA
September 16, 2007
Are you ready to rock?
Premier Guitar Festivals kicked off its weekend guitar bash yesterday with guitar exhibits, perfomances and workshops for all ages and abilities, and the guitars will keep on strumming today at Boston’s Bayside Expo Center.
Organizer Peter Sprague, co-owner of TrueFire Studios, said he chose to debut the event in the Hub because “Boston has more guitar players per capita than any city in the country.” The event is expected to draw about 7,500 guitar enthusiasts throughout the weekend.
Players ranging from young novices to famous rockers were jamming at the exhibits and workshops yesterday. Aerosmith bassist Tom Hamilton took a break from his busy tour schedule and visited the festival knowing “there’s something here (he) needs to buy.”
“I’m like everybody else here. It’s like a dream about Christmas,” said Hamilton, after putting his talent to work trying out some of the merchandise. “I kind of wish I didn’t bring my credit card. We might need to extend the tour.”
Johnny A, who toured with Aerosmith in the ’70s, said he was looking forward to performing at last night’s All-Star Guitar Night, featuring international stars and local favorites including J. Geils and Ernie and the Automatics.
At the Taylor Guitars exhibit, Brian Swerdfeger showed off the company’s new first-ever solid body electric guitar. “This is the most professional festival I’ve been to, and we do 16 festivals a year,” Swerdfeger said.
September 16, 2007
Are you ready to rock?
Premier Guitar Festivals kicked off its weekend guitar bash yesterday with guitar exhibits, perfomances and workshops for all ages and abilities, and the guitars will keep on strumming today at Boston’s Bayside Expo Center.
Organizer Peter Sprague, co-owner of TrueFire Studios, said he chose to debut the event in the Hub because “Boston has more guitar players per capita than any city in the country.” The event is expected to draw about 7,500 guitar enthusiasts throughout the weekend.
Players ranging from young novices to famous rockers were jamming at the exhibits and workshops yesterday. Aerosmith bassist Tom Hamilton took a break from his busy tour schedule and visited the festival knowing “there’s something here (he) needs to buy.”
“I’m like everybody else here. It’s like a dream about Christmas,” said Hamilton, after putting his talent to work trying out some of the merchandise. “I kind of wish I didn’t bring my credit card. We might need to extend the tour.”
Johnny A, who toured with Aerosmith in the ’70s, said he was looking forward to performing at last night’s All-Star Guitar Night, featuring international stars and local favorites including J. Geils and Ernie and the Automatics.
At the Taylor Guitars exhibit, Brian Swerdfeger showed off the company’s new first-ever solid body electric guitar. “This is the most professional festival I’ve been to, and we do 16 festivals a year,” Swerdfeger said.
Ride this way
Concord Monitor, NH
September 16, 2007
Aerosmith's Steven Tyler was in the NHIS infield to debut the new line of motorcycles of which he's "artistic designer."
The ProStreet models, made with parts from Harley Davidson and engineered by the Red Wing Motorcycle Company, are said to have a 35 percent increase in horsepower compared with a typical Harley, and no two paint schemes on the custom bikes will be identical. Exclusive viewings are available at New Hampshire Harley Davidson dealerships in Nashua and Manchester before being available across the East Coast starting later this fall.
As far as the Chase, Tyler went with the underdog. "I've got a funny feeling about Clint," he said of Bowyer....
Singer Steven Tyler rides up to the media center at New Hampshire International Speedway on September 15, 2007 in Loudon, New Hampshire.
(Photos by Robert Meggers/Getty Images for NASCAR)
More Photos: (GettyImages.com)
September 16, 2007
Aerosmith's Steven Tyler was in the NHIS infield to debut the new line of motorcycles of which he's "artistic designer."
The ProStreet models, made with parts from Harley Davidson and engineered by the Red Wing Motorcycle Company, are said to have a 35 percent increase in horsepower compared with a typical Harley, and no two paint schemes on the custom bikes will be identical. Exclusive viewings are available at New Hampshire Harley Davidson dealerships in Nashua and Manchester before being available across the East Coast starting later this fall.
As far as the Chase, Tyler went with the underdog. "I've got a funny feeling about Clint," he said of Bowyer....
Singer Steven Tyler rides up to the media center at New Hampshire International Speedway on September 15, 2007 in Loudon, New Hampshire.
(Photos by Robert Meggers/Getty Images for NASCAR)
More Photos: (GettyImages.com)
Steven Tyler Launches Red Wing Motorcycle Company At NHIS
NHIS.com
September 15, 2007
(LOUDON, N.H.) – Steven Tyler, in collaboration with Mark Dirico and AC Custom Motorcycles, today launched Red Wing Motorcycle Company. Red Wing Motorcycles are the fusion of rock and roll artistry and superior engineering. Imbued with Tyler’s sense of style, each motorcycle is as comfortable to ride as it is sexy.
Tyler’s artistic vision drove the outrageous design of the custom motorcycles, each hand crafted and hand signed by the legendary rock star.
“You get on one of these bikes and you can ride for days,” Tyler said. “These bikes are slick, rugged, and just damn cool. And they’re amazing to look at.”
These motorcycles were made to ride. With a 35% increase in horsepower to the rear wheel compared to a stock Harley-Davidson, and every inch handcrafted and tailor engineered, they are as hot to drive as they are to look at. The ProStreet model focuses on the beauty and finesse of Tyler’s unique design while never losing sight of critical comfort and performance. The Retro model has the look and feel of a classic Harley-Davidson with new components that ensure the best riding experience possible.
Red Wing Motorcycles are backed not only by Tyler’s brilliance and style but by decades of engineering and motorcycle experience. Engineered by internationally renowned master engineer, Mark Dirico, each facet of the bike was purposefully crafted for a smooth, beautiful ride. Each bike is hand built by the team at AC Custom Motorcycles, with more than 300 years of combined experience building and perfecting motorcycles.
Red Wing Motorcycles are debuting at New Hampshire International Speedway during the SYLVANIA 300 weekend and are now available to the public. Exclusive viewing of the bikes can be found at Manchester and Nashua, N.H. Harley-Davidson dealerships. Each bike is backed by an extensive warranty and can be fully serviced by local Harley dealers. Bikes will be available in partnership with select dealerships across the East Coast through 2008 with a national roll out planned for later that year.
Steven Tyler and the Red Wing Motorcycle Team will be visiting New Hampshire International Speedway on Saturday, September 15 to unveil these incredible motorcycles to the thousands of race fans attending the NASCAR and USAC events at “The Magic Mile”. Tyler will also be speaking with the national motorsports media about his vision and passion for this new project.
Any media inquiries can be directed to Kristin Beltramini, 603-625-5713, kbeltramini@griffinyorkkrause.com. More information and digital images are available at http://www.redwingmotorcycles.com/
The Red Wing Motorcycle Team
Steven Tyler, Artistic Director, provided the design and inspiration for Red Wing Motorcycles. At once a rock and roll icon, artist, designer and personality, Tyler’s passion for motorcycles, artistic flair, and hard rocking experience has made him the ideal designer for these custom bikes. A rock legend like no other, Steven has ensured that every component is of the highest quality and that these rolling works of art are equally comfortable on a cross country journey as in a showroom. A native of New Hampshire, where Aerosmith was originally formed, Tyler is excited to introduce these bikes for the first time at the New Hampshire International Speedway.
Mark Dirico, VP of Engineering, is the internationally renowned master engineer responsible for making sure these bikes are expertly engineered to Steven’s exacting standards. With numerous patents in the machinery industry, Mark is a motorcycle and car enthusiast completely committed to engineering these motorcycles to be seamless, practical, functional, and balanced machines. Mark is an inventor and innovator, his love for all things mechanical and his phenomenal engineering skills give him the foundation for a seamless, functional and balanced design.
Stephen Talarico, President, AC Customs and Red Wing Motorcycle Company. An avid Motocross and Enduro rider since the age of 12, Stephen owns two Harley-Davidson dealerships in Manchester and Nashua, New Hampshire. His dealerships, consistently ranked among the top ten in the country, offer a huge variety of Harley-Davidson merchandise and are the idea location to showcase Red Wing Motorcycles. A motorcycle enthusiast for most of his life, Stephen is excited to offer these new extremely rideable, extremely cool motorcycles.
AC Customs has been building custom motorcycles since 1997. Located in Manchester NH, the build team is an affiliate of Manchester Harley-Davidson – one of the top 10 Harley-Davidson dealerships in the country. With over 300 years collective experience, the team at AC Customs is passionate about building these motorcycles with an exacting degree of quality to match the design and engineering. They build some of the most exclusive and sought after motorcycles on the East Coast.
About Red Wing Motorcycle Company
Four wheels move the body, two wheels move the soul
A rockin’ motorcycle needs to be more than a pretty face. Red Wing Motorcycle Company was founded on the belief that a beautiful bike should be a smooth ride. It’s about uncompromising style, one-of-a-kind artistic design elements, and top of the line components creating a fine tuned machine that is unlike any other motorcycle on the road. These custom motorcycles are not just works of art, they are comfortable, performance-oriented, and crafted to be the only ride you’ll need for years to come.
Steven Tyler’s been on the rock scene since the late 1960’s and has created some of the most memorable songs in the popular music lexicon. He’s taken that creativity and style and put every bit of it into Red Wing Motorcycles. It’s Tyler who picked the motorcycles color scheme, created the small design elements that makes each bike stand alone and has insisted on making sure the motorcycles are as comfortable as they are unique. And he hand-signs every bike before it goes out on the road.
Anyone can build a beautiful motorcycle. But it took the team of Steven Tyler, Mark Dirico and the team at AC Custom Motorcycles to conceive the outrageous design and world-class engineering at the core of Red Wing Motorcycle Company. From inspiration to engineering to build, Red Wing Motorcycles are the sum of an astonishing range of talents, built to ride for days at a time, and to look hot doing it.
After the grand unveiling at Loudon, Red Wing Motorcycle admirers can get an up close and personal look exclusively at Manchester Harley Davidson and Nashua Harley-Davidson, both in NH, and select Aerosmith shows. A network of dealers will be established through the fall of 2007 on the East Coast, and then nationwide through 2008.
September 15, 2007
(LOUDON, N.H.) – Steven Tyler, in collaboration with Mark Dirico and AC Custom Motorcycles, today launched Red Wing Motorcycle Company. Red Wing Motorcycles are the fusion of rock and roll artistry and superior engineering. Imbued with Tyler’s sense of style, each motorcycle is as comfortable to ride as it is sexy.
Tyler’s artistic vision drove the outrageous design of the custom motorcycles, each hand crafted and hand signed by the legendary rock star.
“You get on one of these bikes and you can ride for days,” Tyler said. “These bikes are slick, rugged, and just damn cool. And they’re amazing to look at.”
These motorcycles were made to ride. With a 35% increase in horsepower to the rear wheel compared to a stock Harley-Davidson, and every inch handcrafted and tailor engineered, they are as hot to drive as they are to look at. The ProStreet model focuses on the beauty and finesse of Tyler’s unique design while never losing sight of critical comfort and performance. The Retro model has the look and feel of a classic Harley-Davidson with new components that ensure the best riding experience possible.
Red Wing Motorcycles are backed not only by Tyler’s brilliance and style but by decades of engineering and motorcycle experience. Engineered by internationally renowned master engineer, Mark Dirico, each facet of the bike was purposefully crafted for a smooth, beautiful ride. Each bike is hand built by the team at AC Custom Motorcycles, with more than 300 years of combined experience building and perfecting motorcycles.
Red Wing Motorcycles are debuting at New Hampshire International Speedway during the SYLVANIA 300 weekend and are now available to the public. Exclusive viewing of the bikes can be found at Manchester and Nashua, N.H. Harley-Davidson dealerships. Each bike is backed by an extensive warranty and can be fully serviced by local Harley dealers. Bikes will be available in partnership with select dealerships across the East Coast through 2008 with a national roll out planned for later that year.
Steven Tyler and the Red Wing Motorcycle Team will be visiting New Hampshire International Speedway on Saturday, September 15 to unveil these incredible motorcycles to the thousands of race fans attending the NASCAR and USAC events at “The Magic Mile”. Tyler will also be speaking with the national motorsports media about his vision and passion for this new project.
Any media inquiries can be directed to Kristin Beltramini, 603-625-5713, kbeltramini@griffinyorkkrause.com. More information and digital images are available at http://www.redwingmotorcycles.com/
The Red Wing Motorcycle Team
Steven Tyler, Artistic Director, provided the design and inspiration for Red Wing Motorcycles. At once a rock and roll icon, artist, designer and personality, Tyler’s passion for motorcycles, artistic flair, and hard rocking experience has made him the ideal designer for these custom bikes. A rock legend like no other, Steven has ensured that every component is of the highest quality and that these rolling works of art are equally comfortable on a cross country journey as in a showroom. A native of New Hampshire, where Aerosmith was originally formed, Tyler is excited to introduce these bikes for the first time at the New Hampshire International Speedway.
Mark Dirico, VP of Engineering, is the internationally renowned master engineer responsible for making sure these bikes are expertly engineered to Steven’s exacting standards. With numerous patents in the machinery industry, Mark is a motorcycle and car enthusiast completely committed to engineering these motorcycles to be seamless, practical, functional, and balanced machines. Mark is an inventor and innovator, his love for all things mechanical and his phenomenal engineering skills give him the foundation for a seamless, functional and balanced design.
Stephen Talarico, President, AC Customs and Red Wing Motorcycle Company. An avid Motocross and Enduro rider since the age of 12, Stephen owns two Harley-Davidson dealerships in Manchester and Nashua, New Hampshire. His dealerships, consistently ranked among the top ten in the country, offer a huge variety of Harley-Davidson merchandise and are the idea location to showcase Red Wing Motorcycles. A motorcycle enthusiast for most of his life, Stephen is excited to offer these new extremely rideable, extremely cool motorcycles.
AC Customs has been building custom motorcycles since 1997. Located in Manchester NH, the build team is an affiliate of Manchester Harley-Davidson – one of the top 10 Harley-Davidson dealerships in the country. With over 300 years collective experience, the team at AC Customs is passionate about building these motorcycles with an exacting degree of quality to match the design and engineering. They build some of the most exclusive and sought after motorcycles on the East Coast.
About Red Wing Motorcycle Company
Four wheels move the body, two wheels move the soul
A rockin’ motorcycle needs to be more than a pretty face. Red Wing Motorcycle Company was founded on the belief that a beautiful bike should be a smooth ride. It’s about uncompromising style, one-of-a-kind artistic design elements, and top of the line components creating a fine tuned machine that is unlike any other motorcycle on the road. These custom motorcycles are not just works of art, they are comfortable, performance-oriented, and crafted to be the only ride you’ll need for years to come.
Steven Tyler’s been on the rock scene since the late 1960’s and has created some of the most memorable songs in the popular music lexicon. He’s taken that creativity and style and put every bit of it into Red Wing Motorcycles. It’s Tyler who picked the motorcycles color scheme, created the small design elements that makes each bike stand alone and has insisted on making sure the motorcycles are as comfortable as they are unique. And he hand-signs every bike before it goes out on the road.
Anyone can build a beautiful motorcycle. But it took the team of Steven Tyler, Mark Dirico and the team at AC Custom Motorcycles to conceive the outrageous design and world-class engineering at the core of Red Wing Motorcycle Company. From inspiration to engineering to build, Red Wing Motorcycles are the sum of an astonishing range of talents, built to ride for days at a time, and to look hot doing it.
After the grand unveiling at Loudon, Red Wing Motorcycle admirers can get an up close and personal look exclusively at Manchester Harley Davidson and Nashua Harley-Davidson, both in NH, and select Aerosmith shows. A network of dealers will be established through the fall of 2007 on the East Coast, and then nationwide through 2008.
Bassist Tom Hamilton Marvels At The Classic Rockers' 35-Year Career
The Free Lance-Star, VA
Think Aerosmith Will Retire Soon? Dream On!
For rock bands, the prevailing wisdom used to be that you would tour when you had a new album to promote, but that doesn't necessarily hold true anymore.
These days, veteran groups can hit the road every summer or two, secure in the knowledge that they will still draw a huge crowd based on reputation alone.
For a band like Aerosmith, which plays Nissan Pavilion on Sunday, touring has changed a lot since members Steven Tyler, Joe Perry, Tom Hamilton, Joey Kramer and Brad Whitford started playing together more than 35 years ago. But one thing that's stayed the same is the feeling the members get before they go onstage each night.
"Before you go on, you know, your body is in a different state of concentration and energy," Hamilton, Aerosmith's bass player, said in a recent phone interview. "There's something that says, 'This is a brand new audience and it's time to prove yourself again.'"
Highlights of the current tour have included Aerosmith's first-ever shows in India and the United Arab Emirates. The band also played a series of dates in Europe--their first in several years--before coming to North America, where they will play through the end of this month.
Other notable shows included performances in Moscow and St. Petersburg, Russia, which were "incredible experiences," Hamilton said.
"When we started this band, we never thought that we would ever play in Russia," he added. "We thought there would be a nuclear war before that ever happened."
It seems even after playing together for so long and selling millions of albums, Aerosmith is still reaching out to new fans--not only to those in other countries, but also to those of a younger generation who are showing up in greater numbers because of an interest in vintage guitar music that's recently taken hold, Hamilton said.
He remembers how important music was to him when he was a teenager, so seeing younger people in the audience "is probably more of a thrill than anything for me," he said.
That Aerosmith's already strong following is growing is a testament to the band's remarkable longevity and widespread appeal.
It's one thing for a band that's been around as long as Aerosmith to be able to attract a live audience--many such bands still do that. But Aerosmith is one of the few that consistently releases successful albums, as well, which is a point of pride for the band.
"It really means a lot to me," Hamilton said. "And I don't mean that in a gloating kind of way; I mean that having experienced the ebb and flow of these things.
"I love the irony of how we've outlived so many things that have come and gone. And the fact that, you know, people think of a rock band as a very unstable, very impulsive, compulsive thing; but we've outlived a lot of suit-and-tie corporations that are supposed to be the picture of stability."
Not that Aerosmith hasn't had its share of trials. Problems with Tyler caused Perry to leave the band in 1979, and Whitford departed soon after. But the original lineup, which now is more like a group of brothers than band mates, re-formed in 1984 and has been performing together ever since, surviving everything from drug and alcohol problems to Hamilton's being treated for throat cancer in 2006.
As other music trends have come and gone, Aerosmith has managed to remain one of the biggest bands there is. And the members plan to stay around as long as there's new gear to try out, new shows to be staged or new songs to be recorded.
Once the band finishes touring, the members plan to start working on a new studio album to be released before next summer. While he couldn't speak for the rest of the band, Hamilton said he wants to make a hard, energetic album with that classic Aerosmith sound, and the time seems right to do that.
Of course, once the album is finished, there's only one thing left to do--another tour.
"If there's one thing that always seems to be there," Hamilton said, "it's that we're always going to be on the road soon."
What: Aerosmith will perform with openers Joan Jett and the Blackhearts Where: Nissan Pavilion, Bristow When: Sunday, gates open at 6:30 p.m.; music starts at 7:30 p.m. Cost: $125, $85, $49.50, $29.50, $25 Info: 703/754-6400 Web: nissanpavilion.com, aerosmith.com Tickets: 800/551-SEAT, ticketmaster.com
Think Aerosmith Will Retire Soon? Dream On!
For rock bands, the prevailing wisdom used to be that you would tour when you had a new album to promote, but that doesn't necessarily hold true anymore.
These days, veteran groups can hit the road every summer or two, secure in the knowledge that they will still draw a huge crowd based on reputation alone.
For a band like Aerosmith, which plays Nissan Pavilion on Sunday, touring has changed a lot since members Steven Tyler, Joe Perry, Tom Hamilton, Joey Kramer and Brad Whitford started playing together more than 35 years ago. But one thing that's stayed the same is the feeling the members get before they go onstage each night.
"Before you go on, you know, your body is in a different state of concentration and energy," Hamilton, Aerosmith's bass player, said in a recent phone interview. "There's something that says, 'This is a brand new audience and it's time to prove yourself again.'"
Highlights of the current tour have included Aerosmith's first-ever shows in India and the United Arab Emirates. The band also played a series of dates in Europe--their first in several years--before coming to North America, where they will play through the end of this month.
Other notable shows included performances in Moscow and St. Petersburg, Russia, which were "incredible experiences," Hamilton said.
"When we started this band, we never thought that we would ever play in Russia," he added. "We thought there would be a nuclear war before that ever happened."
It seems even after playing together for so long and selling millions of albums, Aerosmith is still reaching out to new fans--not only to those in other countries, but also to those of a younger generation who are showing up in greater numbers because of an interest in vintage guitar music that's recently taken hold, Hamilton said.
He remembers how important music was to him when he was a teenager, so seeing younger people in the audience "is probably more of a thrill than anything for me," he said.
That Aerosmith's already strong following is growing is a testament to the band's remarkable longevity and widespread appeal.
It's one thing for a band that's been around as long as Aerosmith to be able to attract a live audience--many such bands still do that. But Aerosmith is one of the few that consistently releases successful albums, as well, which is a point of pride for the band.
"It really means a lot to me," Hamilton said. "And I don't mean that in a gloating kind of way; I mean that having experienced the ebb and flow of these things.
"I love the irony of how we've outlived so many things that have come and gone. And the fact that, you know, people think of a rock band as a very unstable, very impulsive, compulsive thing; but we've outlived a lot of suit-and-tie corporations that are supposed to be the picture of stability."
Not that Aerosmith hasn't had its share of trials. Problems with Tyler caused Perry to leave the band in 1979, and Whitford departed soon after. But the original lineup, which now is more like a group of brothers than band mates, re-formed in 1984 and has been performing together ever since, surviving everything from drug and alcohol problems to Hamilton's being treated for throat cancer in 2006.
As other music trends have come and gone, Aerosmith has managed to remain one of the biggest bands there is. And the members plan to stay around as long as there's new gear to try out, new shows to be staged or new songs to be recorded.
Once the band finishes touring, the members plan to start working on a new studio album to be released before next summer. While he couldn't speak for the rest of the band, Hamilton said he wants to make a hard, energetic album with that classic Aerosmith sound, and the time seems right to do that.
Of course, once the album is finished, there's only one thing left to do--another tour.
"If there's one thing that always seems to be there," Hamilton said, "it's that we're always going to be on the road soon."
What: Aerosmith will perform with openers Joan Jett and the Blackhearts Where: Nissan Pavilion, Bristow When: Sunday, gates open at 6:30 p.m.; music starts at 7:30 p.m. Cost: $125, $85, $49.50, $29.50, $25 Info: 703/754-6400 Web: nissanpavilion.com, aerosmith.com Tickets: 800/551-SEAT, ticketmaster.com
Steven Tyler Signature Series Hohner Harmonica Ships
Hohner, Inc., VA
Hohner Inc announces the shipment of a truly unique instrument, the Steven Tyler Signature Series Harmonica. Steven Tyler has worked with Hohner Inc. to design a Harmonica to his exact specifications featuring a custom combination of a premium reed plate, custom tuning, a special wood comb, and black & silver styling. The Signature Series Harmonica is shipped in a specially stylized gift box featuring the harmonica in the key of “A”, a carrying case, and a signed photo of Steven Tyler.
The harmonica retails for $99.99 and has a MAP price of $79.99. A limited number of units will be manufactured and they should be available next week at Hohner dealers across the US.
“It was a great pleasure to work with an artist of Steven Tyler’s caliber on this project. His enthusiasm and creativity helped us bring this unique instrument to market” said Scott Emmerman, Hohner’s Director of Marketing and Sales. “We expect strong demand for this product from serious players as well as from Steven’s loyal fans” Scott added.
Clay Edwards, Hohner Inc’s President commented, “In the year of our 150th Anniversary, this product uniquely celebrates our heritage and our future. We are very honored to be associated with a great contemporary icon of rock and roll and look forward to working with Steven.”
Hohner has manufactured and distributed musical instruments since 1857 and is one of the world’s oldest musical instrument companies. Its US brands include: Hohner Harmonicas, Accordions, Melodicas, Recorders & Fretted Instruments; Sonor Drums & Orff; Airwave Technologies, Korg Tuners, Remo Drum heads; Rockwood by Hohner Drum & Guitar packs; Laney Amps; Musical Toys; accessory bags & cases; and Lanikai Ukuleles. Hohner, Inc. has offices in Glen Allen and Corona, CA. For Hohner’s US dealer listings, please visit www.hohnerusa.com.
Hohner Inc announces the shipment of a truly unique instrument, the Steven Tyler Signature Series Harmonica. Steven Tyler has worked with Hohner Inc. to design a Harmonica to his exact specifications featuring a custom combination of a premium reed plate, custom tuning, a special wood comb, and black & silver styling. The Signature Series Harmonica is shipped in a specially stylized gift box featuring the harmonica in the key of “A”, a carrying case, and a signed photo of Steven Tyler.
The harmonica retails for $99.99 and has a MAP price of $79.99. A limited number of units will be manufactured and they should be available next week at Hohner dealers across the US.
“It was a great pleasure to work with an artist of Steven Tyler’s caliber on this project. His enthusiasm and creativity helped us bring this unique instrument to market” said Scott Emmerman, Hohner’s Director of Marketing and Sales. “We expect strong demand for this product from serious players as well as from Steven’s loyal fans” Scott added.
Clay Edwards, Hohner Inc’s President commented, “In the year of our 150th Anniversary, this product uniquely celebrates our heritage and our future. We are very honored to be associated with a great contemporary icon of rock and roll and look forward to working with Steven.”
Hohner has manufactured and distributed musical instruments since 1857 and is one of the world’s oldest musical instrument companies. Its US brands include: Hohner Harmonicas, Accordions, Melodicas, Recorders & Fretted Instruments; Sonor Drums & Orff; Airwave Technologies, Korg Tuners, Remo Drum heads; Rockwood by Hohner Drum & Guitar packs; Laney Amps; Musical Toys; accessory bags & cases; and Lanikai Ukuleles. Hohner, Inc. has offices in Glen Allen and Corona, CA. For Hohner’s US dealer listings, please visit www.hohnerusa.com.
New Webisode from Tom Hamilton
Aero Force One
Aerosmith's official fan club, Aeroforce One, has posted a new webisode featuring the group's bassist Tom Hamilton offering a recap of the 2007 Aerosmith world tour...
Watch Episode V: (here).
Aerosmith's official fan club, Aeroforce One, has posted a new webisode featuring the group's bassist Tom Hamilton offering a recap of the 2007 Aerosmith world tour...
Watch Episode V: (here).
Aerosmith, Cure reschedule at Allstate
Chicago Sun Times, IL
Fans left in limbo in recent weeks when two veteran rock bands canceled their Allstate Arena concerts now can re-mark their calendars.
The shows have been rescheduled: Aerosmith will perform at the Rosemont venue Sept. 24, and the Cure will be there May 17.
On Monday, Aerosmith backed out of a planned show that night, blaming illness. As before, Joan Jett and the Blackhearts will open the new date.
The Cure last month called off a fall tour that included a Sept. 29 Allstate stop, claiming to need more time to finish a double album scheduled to come out in the spring. The new tour starts May 9 in Fairfax, Va.
Previously purchased tickets will be honored, and seats remain available for the Aerosmith gig.
Fans left in limbo in recent weeks when two veteran rock bands canceled their Allstate Arena concerts now can re-mark their calendars.
The shows have been rescheduled: Aerosmith will perform at the Rosemont venue Sept. 24, and the Cure will be there May 17.
On Monday, Aerosmith backed out of a planned show that night, blaming illness. As before, Joan Jett and the Blackhearts will open the new date.
The Cure last month called off a fall tour that included a Sept. 29 Allstate stop, claiming to need more time to finish a double album scheduled to come out in the spring. The new tour starts May 9 in Fairfax, Va.
Previously purchased tickets will be honored, and seats remain available for the Aerosmith gig.
Saturday, September 15, 2007
Aerosmith rocks motherland Boston with 'hometown lovefest'
Boston Globe, MA
September 15, 2007
Guitarist Joe Perry and lead singer Steven Tyler of Aerosmith.
(Robert E. Klein for The Boston Globe)
No matter how hard a Boston rock critic tries to get through an Aerosmith concert review without using the words "hometown lovefest," the effort is futile. Our local rock heroes returned to the roost last night and fell into the motherland's ecstatic embrace. And while the crowd's affection preceded the performance, Aerosmith earned every shriek during an electrifying two-hour set.
The stage was sleek and uncluttered, a clean palette for Steven Tyler's star power. He was a little hoarse, but completely on. Tyler strutted the catwalk, a model rock god, scarves flowing from his hat and his neck and his mike stand, gripping fans by the wrists, dipping his fingers into a woman's drink and rubbing it behind his ear. And that was just the first song, "Love in an Elevator."
Nearly four decades after forming, Aerosmith is still funneling heavy, swaggering blues through a lean, mean rock machine with energy that defies the passing of years and a catalog that bridges the band's deep musical roots and mainstream hits. They played plenty of both, blues jams and blockbusters, but it was the band's signature tunes that supplied the night's transcendent moments.
"Walk This Way" has one of the most excellent guitar riffs in rock, and Boston is part owner. "Dream On" is Aerosmith's epic, and Aerosmith is ours. Maybe it's provincial, but that sense of iconography-by-association turned a great concert into a galvanizing experience.
The band has only gotten tighter, playing with the sort of synchronicity available only to those who beat the odds and survive long enough to reap time's rewards. Brad Whitford's guitar solos were phenomenally clean and searing, while Joe Perry did the dirty work.
Bassist Tom Hamilton's occasional forays into the flow of the fan were his version of a star turn, but his bottom end was perpetually turned on, as were Joey Kramer's clockwork rhythms.
Tyler spewed enough charisma to make up for his bandmates sedate ways - nearly falling into the crowd over and over again as he reached for open hands and the occasional lips, thrusting and shimmying in every corner of the stage, sharing the microphone with countless fans, and kissing Perry's mother - a hometown lovefest, indeed.
Boston staple James Montgomery was an ideal warm-up act, opening with a set of blustery, hard-rocking blues that represented Aerosmith's roots.
September 15, 2007
Guitarist Joe Perry and lead singer Steven Tyler of Aerosmith.
(Robert E. Klein for The Boston Globe)
No matter how hard a Boston rock critic tries to get through an Aerosmith concert review without using the words "hometown lovefest," the effort is futile. Our local rock heroes returned to the roost last night and fell into the motherland's ecstatic embrace. And while the crowd's affection preceded the performance, Aerosmith earned every shriek during an electrifying two-hour set.
The stage was sleek and uncluttered, a clean palette for Steven Tyler's star power. He was a little hoarse, but completely on. Tyler strutted the catwalk, a model rock god, scarves flowing from his hat and his neck and his mike stand, gripping fans by the wrists, dipping his fingers into a woman's drink and rubbing it behind his ear. And that was just the first song, "Love in an Elevator."
Nearly four decades after forming, Aerosmith is still funneling heavy, swaggering blues through a lean, mean rock machine with energy that defies the passing of years and a catalog that bridges the band's deep musical roots and mainstream hits. They played plenty of both, blues jams and blockbusters, but it was the band's signature tunes that supplied the night's transcendent moments.
"Walk This Way" has one of the most excellent guitar riffs in rock, and Boston is part owner. "Dream On" is Aerosmith's epic, and Aerosmith is ours. Maybe it's provincial, but that sense of iconography-by-association turned a great concert into a galvanizing experience.
The band has only gotten tighter, playing with the sort of synchronicity available only to those who beat the odds and survive long enough to reap time's rewards. Brad Whitford's guitar solos were phenomenally clean and searing, while Joe Perry did the dirty work.
Bassist Tom Hamilton's occasional forays into the flow of the fan were his version of a star turn, but his bottom end was perpetually turned on, as were Joey Kramer's clockwork rhythms.
Tyler spewed enough charisma to make up for his bandmates sedate ways - nearly falling into the crowd over and over again as he reached for open hands and the occasional lips, thrusting and shimmying in every corner of the stage, sharing the microphone with countless fans, and kissing Perry's mother - a hometown lovefest, indeed.
Boston staple James Montgomery was an ideal warm-up act, opening with a set of blustery, hard-rocking blues that represented Aerosmith's roots.
Tweeter Center
Aero Force One
September 15, 2007
Aerosmith - Mansfield, MA
September 14, 2007
(Photos by: Amanda Ayre - AF1)
See more.... (here).
September 15, 2007
Aerosmith - Mansfield, MA
September 14, 2007
(Photos by: Amanda Ayre - AF1)
See more.... (here).
Able-bodied Aerosmith hits home run
Boston Herald, MA
September 15, 2007
Rockin’ the joint: Aerosmith rockers Steven Tyler, left, and Joe Perry give it their all at the Tweeter Center in Mansfield last night.
A healthy Aerosmith is a happy Aerosmith. But a healthy, happy Aerosmith at home is oh so much better.
After a 2006 plagued by illness - vocalist Steven Tyler underwent hepatitis C treatment and throat surgery, bassist Tom Hamilton conquered cancer and drummer Joey Kramer struggled with shoulder problems - this year’s band didn’t act its age at last night’s sold-out Tweeter Center.
The Boston boys could have picked a cooler opening tune than “Love in an Elevator” for a crowd of fanatical locals. But after dispensing with the obvious, they got right down to the dirty, gritty blues rock that makes them America’s greatest rock ’n’ roll band.
With Aerosmith, the cliched moments hit the hardest. The compulsory-but-always-epic “Dream On” still slays ’em, Hamilton’s deft high bass line on “Sweet Emotion” is the best natural high there is and Joe Perry’s epic riff on “Walk this Way” is a perfect encore. All expected, all still brilliant.
And the rest of the two-hour set was far from filler.
Digging deep into their back catalog (hey, they know what we crave), the guys served up ’70s jams that made their ’80s comeback possible. Sure, it wasn’t much different than the set they played a few nights back in New York, but “Same Old Song and Dance,” “Draw the Line,” “Rats in the Cellar” and “Walkin’ the Dog” just sound better in the commonwealth. It’s as if there’s something in the air, or dirty water, that kicks the band in the can.
Even the post-Toxic Twins tunes improved the set list. The sober-days standards “Cryin’ ” and “What It Takes” didn’t slow these kids down at all.
While “Livin’ on the Edge” could have been left out, the band smartly skipped “I Don’t Want to Miss a Thing” and the rest of their late-period bombs.
There will come a day when Aerosmith will be as bloated and bad as their peers, a day when Steven Tyler looks more like Joan Rivers than Mick Jagger. But if last night was any indication, that day is, thankfully, a while off.
September 15, 2007
Rockin’ the joint: Aerosmith rockers Steven Tyler, left, and Joe Perry give it their all at the Tweeter Center in Mansfield last night.
A healthy Aerosmith is a happy Aerosmith. But a healthy, happy Aerosmith at home is oh so much better.
After a 2006 plagued by illness - vocalist Steven Tyler underwent hepatitis C treatment and throat surgery, bassist Tom Hamilton conquered cancer and drummer Joey Kramer struggled with shoulder problems - this year’s band didn’t act its age at last night’s sold-out Tweeter Center.
The Boston boys could have picked a cooler opening tune than “Love in an Elevator” for a crowd of fanatical locals. But after dispensing with the obvious, they got right down to the dirty, gritty blues rock that makes them America’s greatest rock ’n’ roll band.
With Aerosmith, the cliched moments hit the hardest. The compulsory-but-always-epic “Dream On” still slays ’em, Hamilton’s deft high bass line on “Sweet Emotion” is the best natural high there is and Joe Perry’s epic riff on “Walk this Way” is a perfect encore. All expected, all still brilliant.
And the rest of the two-hour set was far from filler.
Digging deep into their back catalog (hey, they know what we crave), the guys served up ’70s jams that made their ’80s comeback possible. Sure, it wasn’t much different than the set they played a few nights back in New York, but “Same Old Song and Dance,” “Draw the Line,” “Rats in the Cellar” and “Walkin’ the Dog” just sound better in the commonwealth. It’s as if there’s something in the air, or dirty water, that kicks the band in the can.
Even the post-Toxic Twins tunes improved the set list. The sober-days standards “Cryin’ ” and “What It Takes” didn’t slow these kids down at all.
While “Livin’ on the Edge” could have been left out, the band smartly skipped “I Don’t Want to Miss a Thing” and the rest of their late-period bombs.
There will come a day when Aerosmith will be as bloated and bad as their peers, a day when Steven Tyler looks more like Joan Rivers than Mick Jagger. But if last night was any indication, that day is, thankfully, a while off.
Mansfield, Massachusetts
Aero Force One
September 14, 2007
Set List: Aerosmith - Tweeter Center - September 14, 2007
Love In An Elevator
Same Old Song and Dance
Cryin'
S.O.S. (Too Bad)
Pink
What It Takes
Last Child
Baby Please Don't Go
Movin' Out
Walkin' The Dog
Dream On
Rats In The Cellar
Livin' On The Edge
Stop Messin' Around
Sweet Emotion
Draw The Line
~~~~~Encore~~~~~
Walk This Way
Thanks to: Aero Force One.
September 14, 2007
Set List: Aerosmith - Tweeter Center - September 14, 2007
Love In An Elevator
Same Old Song and Dance
Cryin'
S.O.S. (Too Bad)
Pink
What It Takes
Last Child
Baby Please Don't Go
Movin' Out
Walkin' The Dog
Dream On
Rats In The Cellar
Livin' On The Edge
Stop Messin' Around
Sweet Emotion
Draw The Line
~~~~~Encore~~~~~
Walk This Way
Thanks to: Aero Force One.
Friday, September 14, 2007
Jones Beach Theatre
Aero Force One
September 13, 2007
Aerosmith - Wantagh, NY
September 12, 2007
(Photos by: Amanda Ayre - AF1)
See more.... (here).
September 13, 2007
Aerosmith - Wantagh, NY
September 12, 2007
(Photos by: Amanda Ayre - AF1)
See more.... (here).
Red Wing Motorcycle Company
RedWingMotorcycles.com
September 13, 2007
"Four wheels move the body, two wheels move the soul."
"Steven Tyler is a walking, talking exclamation point, living out loud with a style that’s uncompromised. He owns the room, the stage and now, with the launch of Red Wing Motorcycles, Steven owns the road.
Welcome to Red Wing Motorcycles — a new collection of custom built motorcycles that have been inspired by Steven’s artistic vision, designed by master engineer and inventor Mark Dirico and brought to life by the builders at AC Custom Motorcycles.
Red Wing Motorcycles feature one-of-a-kind artistic design elements and top-of-the-line components, providing a balanced, tuned machine unlike any other on the road today.
Today is the day when you can catch some of Steven’s vibe. Seize the opportunity to own one of these exclusive Red Wing Motorcycles. To inquire about purchasing, click (here)"
September 13, 2007
"Four wheels move the body, two wheels move the soul."
"Steven Tyler is a walking, talking exclamation point, living out loud with a style that’s uncompromised. He owns the room, the stage and now, with the launch of Red Wing Motorcycles, Steven owns the road.
Welcome to Red Wing Motorcycles — a new collection of custom built motorcycles that have been inspired by Steven’s artistic vision, designed by master engineer and inventor Mark Dirico and brought to life by the builders at AC Custom Motorcycles.
Red Wing Motorcycles feature one-of-a-kind artistic design elements and top-of-the-line components, providing a balanced, tuned machine unlike any other on the road today.
Today is the day when you can catch some of Steven’s vibe. Seize the opportunity to own one of these exclusive Red Wing Motorcycles. To inquire about purchasing, click (here)"
Something to prove -- and the energy to do it
Richmond Times Dispatch, VA
September 13, 2007
Aerosmith's Joe Perry is pumped up for the challenge of staying relevant in a fickle world
Steven Tyler maintains a reputation as the mouthpiece of Aerosmith, but Joe Perry is no silent wallflower.
The blues-rockin' guitarist of Boston's most famous musical export has experienced the lows of irrelevance and the highs of sold-out arenas and multiplatinum albums.
He's been around long enough to understand that in an increasingly fickle music market, irrelevance could overtake the sellouts as fast as you can whisper "High School Musical."
So, unlike many of his lesser-esteemed industry peers, Perry is happy to talk, not for an instant giving the impression that he's a we're-not-worthy guitar god with better things to do than answer questions about "American Idol."
Though Aerosmith embarked on a world tour earlier this year -- its first in nearly a decade and last fall rattled some rafters on a joint run in the U.S. with Motley Crue, the band has grappled with some health issues.
In early 2006, Tyler underwent throat surgery. That August, bassist Tom Hamilton was diagnosed with throat cancer. Last fall, Tyler also announced that he had been receiving treatment for hepatitis C for the previous 11 months.
All are fine now, says Perry, who turned 57 on Monday, but the physical setbacks temporarily shelved plans for a new album.
No more.
After a handful of East Coast dates this month -- including Sunday at Nissan Pavilion Aerosmith (which also includes drummer Joey Kramer and guitarist Brad Whitford) will return to the studio to construct a raw, bluesy rock'n' roll album, which the band hopes to have wrapped and ready by early 2008.
Calling from his home in Boston last week, Perry discussed plans for the album, as well as his water-cooler stint on this season's "Idol" finale and why he loves Elvis and Jack White.
Q. So you just finished a world tour, where you returned to Europe for the first time in many years. How did it go and why go there now?
A. The energy that we brought there -- it was almost like we had to rewin Europe. We were always just at the point where we were going to make it and be a household name there, and every time we'd get the momentum going something would happen.
I think the last time we played there was Wembley Stadium to 80,000 people in the late'90s. Then three years later, there wasn't a lot of interest in booking the band in some places there, so we waited it out.
Finally, the promoters stepped up to the plate and alternative music changed and we found that younger fans were more interested in hearing us and a band like ours -- the real deal from years gone by -- and for whatever reason it turned into a great tour.
We went over with this attitude that we had to prove ourselves, which is when we operate at our best. It's all about energy. It's not about adding more lights or the color of the drum riser. It's about a live event and getting people to forget about their day-to-day problems, not get them involved in some movement or another. We're just entertainers. We love to rock.
So you're not a fan of musicians with an agenda?
When I'm a fan and I'm sitting in the crowd at CSN&Y and they're speaking about their social concerns, I know what I'm getting and they put on a great show. I saw them on this last tour, and I knew I was going to get a heavily political show and it doesn't bother me that much. Some of it I agree with; some of it I don't.
Since you're playing only a few dates this month, I take it you'll spend the rest of the year working on the new album? Is anything written yet?
There's stuff in the can that we worked on. We were supposed to put out a studio album last year, but between Steven and Tom's medical problems, it never got going. We may use some of that or not. The band grows, and music that sounds good now might not sound as exciting in six months.
Coming off the "Honkin' on Bobo" album, do you think you'll stick with the bluesier side of things?
The bluesy side is how we're built, but the more important thing is the energy that we have when the band plays live. The blues is a perfect vehicle for that.
I can't speak for everyone in the band, but I want to have a record that sounds like it was played live in the studio . . . Steven has a great ear for pop that's why we make such a good team.
Have you discussed producers? Do you think you'll work with Rick Rubin again?
We've talked to a bunch but aren't sure who we're going to use yet. Now that Rick is kind of in the driver's seat at Sony [the band's label], we'll see. He's got a great sense of music and knows what rock'n' roll is and what the feeling is. It's about energy. But he also knows how to let a band breathe and be what it is.
You mentioned the health issues that Steven and Tom endured. How is Tom doing now that he's back [Hamilton rejoined the group in December]?
He's great. He's loving it all the more. I can't imagine where I would be in my head if I went through that. He loves music. He lives it. He breathes it.
You recently taped an Elvis Presley special with Toby Keith ["Elvis: Viva Las Vegas," to air Tuesday on ABC]. How did that go?
Being an Elvis fan, I knew there would be something coming down the pike [for the anniversary year], so I put my name in the hat. Toby -- I met him a few times, went to a couple of his shows and really loved his kind of country and western and rock, so for any reason I would have gotten up and played with him. It was really a dream.
We did "Mystery Train," because it has roots in the blues. It's almost a song you can't rehearse. It takes a real pro band and a loose rock'n' roll attitude to play a song like that.
Are there any new bands out there that you're digging? Do your sons turn you on to a lot of stuff?
The bands that have the most influence on my guys right now are The Who and the White Stripes.
There's something about [the Stripes], aside from their obvious talent. There's something about their freedom. Jack [White] has really done his blues homework. He's captured the essence of how he feels.
When I saw them live, I couldn't stop thinking, Here's the ultimate garage band. They're the real deal. I've met Jack once and said hello, but I really don't know him well as a person.
All I know is what I hear and see, and I see someone who is really natural and at ease and articulate at expressing himself.
Let's talk about "American Idol." You appeared on the season finale. How was that experience?
That was fun. It was another case of if you told me I was going to do that 20 years ago, I would have said, Ah, probably not. It's just the way the industry has changed.
September 13, 2007
Aerosmith's Joe Perry is pumped up for the challenge of staying relevant in a fickle world
Steven Tyler maintains a reputation as the mouthpiece of Aerosmith, but Joe Perry is no silent wallflower.
The blues-rockin' guitarist of Boston's most famous musical export has experienced the lows of irrelevance and the highs of sold-out arenas and multiplatinum albums.
He's been around long enough to understand that in an increasingly fickle music market, irrelevance could overtake the sellouts as fast as you can whisper "High School Musical."
So, unlike many of his lesser-esteemed industry peers, Perry is happy to talk, not for an instant giving the impression that he's a we're-not-worthy guitar god with better things to do than answer questions about "American Idol."
Though Aerosmith embarked on a world tour earlier this year -- its first in nearly a decade and last fall rattled some rafters on a joint run in the U.S. with Motley Crue, the band has grappled with some health issues.
In early 2006, Tyler underwent throat surgery. That August, bassist Tom Hamilton was diagnosed with throat cancer. Last fall, Tyler also announced that he had been receiving treatment for hepatitis C for the previous 11 months.
All are fine now, says Perry, who turned 57 on Monday, but the physical setbacks temporarily shelved plans for a new album.
No more.
After a handful of East Coast dates this month -- including Sunday at Nissan Pavilion Aerosmith (which also includes drummer Joey Kramer and guitarist Brad Whitford) will return to the studio to construct a raw, bluesy rock'n' roll album, which the band hopes to have wrapped and ready by early 2008.
Calling from his home in Boston last week, Perry discussed plans for the album, as well as his water-cooler stint on this season's "Idol" finale and why he loves Elvis and Jack White.
Q. So you just finished a world tour, where you returned to Europe for the first time in many years. How did it go and why go there now?
A. The energy that we brought there -- it was almost like we had to rewin Europe. We were always just at the point where we were going to make it and be a household name there, and every time we'd get the momentum going something would happen.
I think the last time we played there was Wembley Stadium to 80,000 people in the late'90s. Then three years later, there wasn't a lot of interest in booking the band in some places there, so we waited it out.
Finally, the promoters stepped up to the plate and alternative music changed and we found that younger fans were more interested in hearing us and a band like ours -- the real deal from years gone by -- and for whatever reason it turned into a great tour.
We went over with this attitude that we had to prove ourselves, which is when we operate at our best. It's all about energy. It's not about adding more lights or the color of the drum riser. It's about a live event and getting people to forget about their day-to-day problems, not get them involved in some movement or another. We're just entertainers. We love to rock.
So you're not a fan of musicians with an agenda?
When I'm a fan and I'm sitting in the crowd at CSN&Y and they're speaking about their social concerns, I know what I'm getting and they put on a great show. I saw them on this last tour, and I knew I was going to get a heavily political show and it doesn't bother me that much. Some of it I agree with; some of it I don't.
Since you're playing only a few dates this month, I take it you'll spend the rest of the year working on the new album? Is anything written yet?
There's stuff in the can that we worked on. We were supposed to put out a studio album last year, but between Steven and Tom's medical problems, it never got going. We may use some of that or not. The band grows, and music that sounds good now might not sound as exciting in six months.
Coming off the "Honkin' on Bobo" album, do you think you'll stick with the bluesier side of things?
The bluesy side is how we're built, but the more important thing is the energy that we have when the band plays live. The blues is a perfect vehicle for that.
I can't speak for everyone in the band, but I want to have a record that sounds like it was played live in the studio . . . Steven has a great ear for pop that's why we make such a good team.
Have you discussed producers? Do you think you'll work with Rick Rubin again?
We've talked to a bunch but aren't sure who we're going to use yet. Now that Rick is kind of in the driver's seat at Sony [the band's label], we'll see. He's got a great sense of music and knows what rock'n' roll is and what the feeling is. It's about energy. But he also knows how to let a band breathe and be what it is.
You mentioned the health issues that Steven and Tom endured. How is Tom doing now that he's back [Hamilton rejoined the group in December]?
He's great. He's loving it all the more. I can't imagine where I would be in my head if I went through that. He loves music. He lives it. He breathes it.
You recently taped an Elvis Presley special with Toby Keith ["Elvis: Viva Las Vegas," to air Tuesday on ABC]. How did that go?
Being an Elvis fan, I knew there would be something coming down the pike [for the anniversary year], so I put my name in the hat. Toby -- I met him a few times, went to a couple of his shows and really loved his kind of country and western and rock, so for any reason I would have gotten up and played with him. It was really a dream.
We did "Mystery Train," because it has roots in the blues. It's almost a song you can't rehearse. It takes a real pro band and a loose rock'n' roll attitude to play a song like that.
Are there any new bands out there that you're digging? Do your sons turn you on to a lot of stuff?
The bands that have the most influence on my guys right now are The Who and the White Stripes.
There's something about [the Stripes], aside from their obvious talent. There's something about their freedom. Jack [White] has really done his blues homework. He's captured the essence of how he feels.
When I saw them live, I couldn't stop thinking, Here's the ultimate garage band. They're the real deal. I've met Jack once and said hello, but I really don't know him well as a person.
All I know is what I hear and see, and I see someone who is really natural and at ease and articulate at expressing himself.
Let's talk about "American Idol." You appeared on the season finale. How was that experience?
That was fun. It was another case of if you told me I was going to do that 20 years ago, I would have said, Ah, probably not. It's just the way the industry has changed.